At Centro de Arte Moderna Gulbenkian, Lisbon, the artist guest curates an exhibition that tackles the history of gender bias in institutional acquisitions
This year’s Busan Biennale, inspired by David Graeber’s notion of ‘pirate enlightenment’, offers a glimpse into a world where progress can only be found outside the West
Her retrospective at the Center for Art, Research, and Alliances demonstrates a philosophy almost incompatible with the viewing methods of institutional exhibition
An ecofeminist show of 18 artists and collectives at The Brick, Los Angeles, decentres a male perspective – but ultimately can't get away from a human one