Exhibition Reviews

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At Empty Gallery, Hong Kong, a group show reinscribes readings of contemporary art through traditional Chinese aesthetic

BY Stephanie Bailey |

In her new exhibition at Michael Kohn Gallery, Los Angeles, the artist inflects pastoral environments with raucous action

BY Claudia Ross |

The show at Galerie Chantal Crousel in Paris is filled with motifs of choreographed movement and figures created from slashed lines

BY Andrew Hodgson |

A retrospective at MoMA, New York, highlights the modernity of the late artist’s political works

BY Grace Byron |

An exhibition at Hauser & Wirth, New York, assembles the late artist’s sculptural work marked by a slow-burning strangeness that resists the potentially dampening effects of art-historical discourse

BY Cassie Packard |

‘In Real Time’ at NYUAD Art Gallery, Abu Dhabi, presents art works that evolve over the course of the exhibition

BY Nadine Khalil |

At Lenbachhaus, Munich, the artist’s survey exhibition quickly shifts from utopia to dystopia

BY Emily McDermott |

At Collezione Maramotti in Reggio Emilia, the artists sumptuous portraits of Afro-Italian life probe questions of personal history, identity and nationality

BY Reuben Esien |

The artist’s latest project, recently installed at Laboratorio Arte Alameda in Mexico City, simulates the damage that a debt-driven financial system can wreak on the environment

BY Evan Moffitt |

At ICA Los Angeles, a group exhibition centres relationships and community as cornerstones of what it might mean to be Asian American

BY Vanessa Holyoak |

At CAC Passerelle, Brest, the artist showcases an archive that maps Arab and South Asian migration to Latin America and the Caribbean

BY Fernanda Brenner |

Despite its range and sincerity, a group exhibition focusing on First Nations artists relies on outdated curatorial methodologies

In his survey at Museo Universitario Arte Contemporáneo, Mexico City, the artist explores the nationalistic archetypes of authoritarian regimes and the individuals expected to conform to their schemas

BY Euridice Arratia |

At Company Gallery, New York, the artist uses subversion and humour to upend the ideological landscape of contemporary sex/work and our moral attitudes towards it

BY Jeppe Ugelvig |

At [tart vienna], the self-taught artist privileges free and direct expression over conservation and legibility

BY Ramona Heinlein |

An exhibition of the artist’s new work at Cubitt in London raises ethical questions about documenting intimate moments and memories

BY Sam Moore |

The artist’s films at Focal Point Gallery, Southend-on-Sea, foreground trans and non-binary concerns while appealing to an audience beyond the community

BY Juliet Jacques |

The artist’s exhibition at Gallerie dell’Accademia, Venice, transcends the limitations of era, nation and culture

BY Evan Moffitt |

At Almine Rech, Brussels, the artist’s laughing figures boldly address consumerism and female vulnerability 

BY Evelyn Simons |

The artist has turned Punta della Dogana in Venice into a world of autonomous AI installations and isolated marine creatures

BY Sean Burns |