Features

Showing results 481-500 of 1567

Simon Elson's new biography of the overlooked art connoisseur Max J. Friedländer

BY Jan Kedves |

What is an artist's play and how does it differ from performance art?

BY Matthew McLean AND Stephen Squibb |

David Bowie as art school

BY Dan Fox |

Mortality, madness and misgivings in the work of Bedwyr Williams

BY Jonathan P. Watts |

In our regular series focusing on a single work by an artist, Phoebe Blatton considers Donna Huddleston's monumental new drawing

BY Phoebe Blatton |

The online anthropology of Jon Rafman

BY Gary Zhexi Zhang |

On repetition and reiteration in a new film by Jay Chung & Q Takeki Maeda

BY Jörg Heiser |

Blood oaths and bodies under threat

BY Ben Eastham |

A fresh look at the music and art of the black radical tradition

BY Ian Bourland |

The raw enigma of matter and the potential meaning of form

BY Ara H. Merjian |

An homage to Chantal Akerman (1950 – 2015)

Labyrinthine associations and elastic meaning in the work of Heather Phillipson

BY James Bridle |

How science has caught up with the art of forgery

BY Noah Charney |

100 years ago, a group of artists gathered in Zürich and founded dada. A new book examines the under-valued role of women to this anarchic, wildly influential movement

BY Jörg Heiser |

In recent years, a number of historical exhibitions have been revisited and restaged. What's behind this impulse?

BY Jo Melvin |

Sam Thorne invites ten curators to reveal how they envision the museum 25 years from now

BY Sam Thorne |

On Hal Foster's Bad New Days: Art Critcism Emergency

BY Gilda Williams |

The currency and collaboration of Kerstin Brätsch

BY Martin Herbert |

Notes on Awkwardness

BY Amy Sillman |

Form and functionlessness

BY Dominikus Müller |