Features

The German Pavillon at the Venice Architecture Biennale 2016, and the push to build homes for refugees

Millennial terrorism and the Brussels attacks: a diary 

A look back at Hamburg's Akademie Isotrop with Hans-Christian Dany, Abel Auer interviewed by Nick Currie and Birgit Megerle

Sensual, haptic, with a theory-driven conceptual cool, the painting of Ull Hohn, who died in 1995, is now on view in a first mayor survey at the Kunsthalle Bern

Risk Assessment

A roundup of the 12th Gallery Weekend Berlin

The photographer Heidi Specker and her take on portraiture

Berlin's Jewish Museum hosts a major retrospective on New York No!Art artist Boris Lurie

On the films of Daniel Hoesl and the European Film Conspiracy

A night at Ricardo Bofill's Barcelona high-rise, Walden 7

Bodily and technological extremes in the sculptures of Yngve Holen

Why has abjection gained renewed currency in art?

How biology adapts to art in the photographs of Jochen Lempert

At what point does a doodled line become a nose? The paintings of Allison Katz

Abjection has gained renewed currency as art looks to the body and states of digital and physical decay

How the anonymous film collective Abounaddara represents daily life in Syria

Kaelen Wilson-Goldie considers a collaborative intervention by Suhu Traboulsi and Walid Raad

Recent video works by Annika Larsson, Laure Prouvost and Steve Reinke address the visceral power of the digital image

Why is abjection making a comeback?

The migrating forms of Thea Djordjadze