Features

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Family, literary influence, travel and environment in the work of Moyra Davey

BY Quinn Latimer |

Dominik Lang’s work is influenced by his intimate relationship to his family home and the legacy of Czech conceptualism

BY Noemi Smolik |

The London-based artist’s recent performance work

BY Eleanor Nairne |

The fictitious portraits of Lynette Yiadom-Boakye

BY Jennifer Higgie |

Anonymity and iconography in contemporary protest culture

BY Tom Holert |

Lucy McKenzie’s work as part of the collaborative fashion studio, Atelier, embodies the artist’s enquiries into a romanticized past shot through with mythical meaning

BY Michael Bracewell |

Since 1995, Li Yongbin has been creating videos of faces in the Beijing apartment he has lived in for over 30 years

BY Carol Yinghua Lu |

Alessio delli Castelli considers Italian sculptor Medardo Rosso’s photographic legacy

BY Alessio delli Castelli |

Comic books and identity; innuendo and homoerotic iconography

BY Max Andrews |

The authentically real and the profanely cheap; ‘sperm, gold, money, black holes ... ’

Celebrity culture, film studio design and the Hollywood dream

BY Jonathan Griffin |

Bodily incursions, surgical violence and an ‘uncommon sense of objecthood’

BY Tom Morton |

The donation of an art collection to the American University of Beirut has prompted plans to create two new galleries in Lebanon

BY Kaelen-Wilson Goldie |

Since English has become the lingua franca, what has happened to art – and to language?

BY Vincenzo Latronico |

For Mariana Castillo Deball, every artefact tells the story of its origin – and where it’s been since

BY Kito Nedo |

Neo-Materialism, Nature and Gallerists with Guns

BY Paul Feigelfeld |

Mixing poetry with pop songs, Karl Holmqvist has created a brand-new medium: the drag-performance

BY Jan Verwoert |

Ulrike Ottinger’s films fuse the genres of fantasy and documentary. Yet the origins of this fusion lie in another medium: painting

BY Jennifer Allen |

Electrical Wiring, Diving Lessons and Bird Catching

BY Isabelle Moffat |

First broadcast in 1983, Robert Ashley’s TV opera Perfect Lives is a talkative exploration of sociability and storytelling

BY Dan Fox |