Features

Showing results 921-940 of 1567

The story of Los Angeles-based artist Kaari Upson’s long-term ‘Larry Project’

BY Jonathan Griffin |

Early 20th-century literary characterization; imagination, action and agency

BY Colin Perry |

Amelia Groom considers the Japanese architecture group Metabolism, while Nick Currie talks to Rem Koolhaas about organic cities and flexible buildings

BY Amelia Groom, Nick Currie AND Rem Koolhaas |

Tropical Modernism and the ‘potential of nostalgia’; photographs, prints and new layers of memory

BY Silas Martí |

Community organizing and AIDS activism; ‘Full Body Quotation’ and party hosting

BY Sam Thorne |

Marie Darrieussecq responds to the filmic meditations of João Maria Gusmão and Pedro Paiva

BY Marie Darrieussecq |

Documentary films and sci-fi encounters; assumption, truth and magic

Held across eight Italian galleries and museums, ‘Arte Povera 2011’ fails the original spirit of the art movement created by Germano Celant

BY Francesco Bonami |

What two photographs taken by a Spanish judge in Baghdad reveal about the impossibility of untangling a moment in the past

BY Mario Garcia Torres |

Art’s conflicted relationship with the Arab Spring

BY Negar Azimi |

A year of unrest in the UK

BY Dan Hancox |

Revisiting art’s social turn and the 1990s: the decade that has yet to end

BY Lars Bang Larsen |

Reasons and responses: the cuts to arts funding in the Netherlands

BY Moosje Goosen |

The end of film photography and the rise of digital photography have led to new genres, methods and histories.An overview of a dying and a thriving medium

BY Jennifer Allen |

Using both analogue and digital reproductions, Marieta Chirulescu explores abstract painting and physical space

BY Dominikus Müller |

What happens to old photojournalism archives? The case of the Black Star archive reveals surprising connections to Germany and histories which foresee the future

BY Hito Steyerl |

Haris Epaminonda began working with found photographs, films and objects – and ended up with a novel form of collage

BY Amanda Coulson |

For more than 40 years, Hans-Peter Feldmann has collected photographs to create his own personal archive

BY Elodie Evers |

Exhaustion, Textiles, Ceramics and Mnemonics

BY Barbara Casavecchia |

Subject, Object and Abject

BY Ana Teixeira Pinto |