Features

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In search of the past, Martin Gostner found a fleeting form of sculpture and invented a new time machine: the bay window

BY Andreas Schlaegel |

Using music, performance and animation, Egill Sæbjörnsson creates hybrid stages, where analogue and digital worlds collide

BY Dominikus Müller |

Leonor Antunes uses iconic buildings as points of departure for precise sculptural installations which confound architectural models with measuring systems

BY Ludwig Seyfarth |

Daniel Spoerri used found objects to explore a citys history in Le Musée sentimental. On the 30th anniversary of Le Musée sentimental de Prusse in Berlin, frieze d/e asks four artists Aleksandra Mir, Manfred Pernice, Gitte Schäfer and Danh Vo to explain their approach to the found object

BY Jennifer Allen |

City Sounds and Spontaneous Occupations

BY Kito Nedo |

Love Stories, Avalanches and Simulacra

BY Quinn Latimer |

Exploring the historical and metaphorical parameters of ‘the marine’ in the installations, sculptures and wall pieces of Cosima von Bonin

BY John C. Welchman |

The sculptures and installations of Anthea Hamilton stage the complexities of interpretation and desire

BY Martin Herbert |

On the 150th anniversary of Italy’s unification, curators and critics respond to the country’s political crisis and its effect on cultural institutions with Gabriella Belli, Cecilia Canziani, Massimiliano Gioni, Francesco Manacorda and Alessandro Rabottini

BY Barbara Casavecchia |

Deconstructed canvases and layers of reference

BY Katie Kitamura |

Museological display, truth, fiction and ‘Lucy in the Sky with Diamonds’

BY Ronald Jones |

Facts and false memories; nostalgia and ciphers of experience

BY Sally O'Reilly |

The work of William Leavitt reflects upon Los Angeles’ faded visions of the future, bourgeois taste and the scientific sublime by Jonathan Griffin

The installations, collages and films of Andro Wekua construct a filmic dream-space of violent fantasies and sexual perversion

BY Eva Díaz |

Myth, ghosts and borders in the work of Mikala Dwyer

BY Anthony Byrt |

High definition videos and B-movie soundtracks; technical effects and cadavers

Reconstruction, propaganda and entertainment; politics, trials and fencing

BY Barbara Casavecchia |

Historical, social and political questions: ‘how did we get here?’

BY Naomi Fry |

A long-overdue shift is happening in how contemporary African art – from Dakar and Lagos to Cape Town, Harare and Rabat – is disseminated and discussed

BY Nana Oforiatta-Ayim |

Dealing with the lapses between narrative content and medium, Rosa Barba’s film and sculptural work is a meditation on memory and vision

BY Kirsty Bell |