The collaborations and performances of Dora García, who is currently representing Spain in the Venice Biennale, engage with radicalism, inadequacy and the excluded
To coincide with its major relocation to a new site in King’s Cross, artist and teacher Malcolm Le Grice traces the history of Central Saint Martins, from the mid-19th-century to today. This is the first in an occasional series of essays on art schools around the world
The last two decades have seen a proliferation of curatorial studies programmes. How has this affected methodology and display, and what is the future of these courses?