Features

Sound and form: grasshoppers, vocal canons and communicating with the dead

Melik Ohanian’s aim to ‘question the operative mode of the exhibition’ is apparent in his complex, multimedia project

Begonias, the lure of travel, endless writing and an unfinished book

The elegant aesthetic of Matthew Brannon’s pictures and sculptures belies a witty, acerbic take on the human condition

Ambiguity, concealment and eroticism lurk in the shadows of Victor Man’s paintings and installations

Portraits, patterns and fashion; post-colonialism and mortality

Identical dimensions and precarious constellations

Cuba, performance and society’s relationship to its history

Publishing as an act of performance; the materiality of language

A commission that involved the artist filling a condemned building with 90,000 litres of chemical liquid

A new work is a retrospective, of sorts

The artists employ voices for the first time in an installation that comprises film, sound and kinetic elements

The artist’s first web-based project began with the barest of ideas

Bridget Riley has conducted an endlessly enriching inquiry into the relationships between form, composition and visual perception

Seth Price’s exploration and manipulation of music, writing, publishing, plastic, curating, discursive performance

Translation and political subjectivity in the work of Julia Meltzer and David Thorne

Sergej Jensen’s exhausted, expressive paintings, gallery interventions, rare films and moody music

Since the late 1960s Lynn Hershman Leeson has employed multiple personalities to explore ideas surrounding identity

Steve McQueen’s first feature film reveals an artist increasingly interested in the relationship between language and the body

Prime numbers, humdrum sources and brainy embroidery