Features

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The artist reflects on the talents of her self-taught ceramist father, whose work was a constant character within her family home

BY Helen Cammock |

The artist recalls how the importance of trips to Nigeria and Kenya transformed her relationship with clay and teaching

BY Magdalene Odundo |

Artists Phoebe Collings-James and Julia Phillips speak to Dr Jareh Das about clay’s physical registers and the ways the material will outlive us

On the occasion of the artist's solo exhibition at Kunsthalle Basel, Sarah E. James considers the artist's idiosyncratic abstractions

BY Sarah E. James |

Huw Lemmy tracks the rise and fall of the UK’s most iconic purveyor of teenage cool, and the desires, hopes and aching failures it left its wake

BY Huw Lemmey |

After a recent fire at the University of Cape Town’s library destroyed irreplaceable books and archival documents, South African artists consider how to redefine the meaning of the archive

BY Portia Malatjie |

As the high street institution shuts for good, five artists and writer, including Pablo Bronstein and Lubaina Himid, propose ideas for Philip Green’s fallen kingdom

 Anna Della Subin’s brief history of objects turned into gods, and what it means for our thing-filled world   

BY Anna Della Subin |

With a solo show at London’s White Cube, Ibrahim Mahama speaks with Vanessa Peterson about Ghana’s post-independence era, architecture and the importance of his collaborators



 

BY Ibrahim Mahama AND Vanessa Peterson |

The artist’s monumental new installation at MoMA is his most complete and ambitious project yet

BY Terence Trouillot |

With the mass displacement of communities and local businesses, Dalston’s long-standing diversity has become a much hyped-up marketing ploy, but can Ridley Road Market survive this re-brand?  

BY Juliet Jacques |

Ahead of a major new exhibition in Wiels, Belgium, the artist speaks with Yve-Alain Bois about the influence of Antoine Wiertz on her latest body of work

BY Yve-Alain Bois AND R.H. Quaytman |

The painter’s largest retrospective to date, at Tate Britain, cements her place as one of Britain’s most inventive and compelling living artists  

BY Katherine Angel |

This summer, frieze sent novelist Tom McCarthy to Danh Võ’s studio to celebrate the solstice – and the undeniable seductions of the German countryside

BY Tom McCarthy |

The artist speaks to Hans Ulrich Obrist about poetry, plants and planning for a precarious future

A thirty-year-old memory, a one-night stand and an art exhibition featuring this newly translated piece by the prize-winning author

BY ​Annie Ernaux |

Ahead of a three-month project in the Rockaways, the London-based artist is thinking about home, time and community

BY Andrew Durbin AND Alvaro Barrington |

Isabel Waidner imagines a different version of the decade that gave us the yBas (and frieze magazine)

BY Isabel Waidner |

In a specially-commissioned photography project, Laura Grace Ford and Majed Aslam journey through the ghostly citadel of London’s pandemic-stricken business district

BY Laura Grace Ford AND Majed Aslam |

A series of portraits made during lockdown channels its sitters from afar

BY Daisy Hildyard AND Mary Ramsden |