Contributor
Juliet Jacques

Juliet Jacques is a writer, filmmaker, broadcaster and academic. Her most recent short story collection, The Woman in the Portrait, was published in July 2024 by Cipher Press.

 

 

Juliet Jacques observes the pros and cons of archives, who’s represented in them and how past prejudices shaped self-documentation

BY Juliet Jacques |

Amidst yet another pendulum swing toward the right, this timely retrospective at Tate Modern should act as an inspiration

BY Juliet Jacques |

In a joint exhibition at Emalin, London, the artists’ films and photographs attest to the impact of state censorship and regulation

BY Juliet Jacques |

As a survey opens at Kasmin, New York, the artist discusses bathroom graffiti, Donald Trump and her time as a Guerrilla Girl

BY Juliet Jacques |

In her latest book, the novelist and essayist considers the use of fiction and literary criticism in times of war and conflict 

BY Juliet Jacques |

At Sid Motion Gallery, London, the artist engages with states of freedom and imprisonment in works that recall the COVID-19 lockdowns

BY Juliet Jacques |

Once dominated by sensational headlines and media hype, the competition now faces an existential question about its place in contemporary discourse

BY Juliet Jacques |

Amid rising political instability, practitioners are tackling working conditions and class relations with renewed urgency and determination

BY Juliet Jacques |

Minoru Nomatas paintings of fictional structures lament the buildings that embodied political movements striving for greater equality

BY Juliet Jacques |

Juliet Jacques revisits books, film and art which commemorate the 40th anniversary of the British miners’ strike and working class politics

BY Juliet Jacques |

A show at Auto Italia in London contains an archive of Ryszard Kisiel ‘Filo’, one of the first LGBTQ+ magazines in Central and Eastern Europe

BY Juliet Jacques |

The artist’s films at Focal Point Gallery, Southend-on-Sea, foreground trans and non-binary concerns while appealing to an audience beyond the community

BY Juliet Jacques |

Project Native Informant in London showcases feature-length films that illustrate the artist’s successful transition from a pornographic to dystopian cyberpunk aesthetic

BY Juliet Jacques |

The innovative founder and curator of Mimosa House, London, discusses ‘transfeminisms’, an ambitious new show 

BY Juliet Jacques |

A new show at Tate Modern reminds us of the impact she made and the possibilities she opened for other artists, from Marina Abramović to Brian Eno

BY Juliet Jacques |

From a rare display of works by Anna Mendelssohn at Whitechapel Gallery to Ellie Pratt’s distorted female portraits at South Parade

BY Juliet Jacques |

Based on first-person testimony, the experimental hybrid opera-film explores class, censorship and how conflict and trauma are depicted

BY Juliet Jacques |

The artist fluctuates between meditation and masochistic intensity at London’s Whitechapel Gallery

BY Juliet Jacques |

The inaugural show at London’s reopened Raven Row presents episodes of ‘Open Door’, a radical 1970s media production model 

BY Juliet Jacques |

Artists and writers, including Huw Lemmey and John Smith, select their favourite programmes from the broadcaster’s history