Features

With his acts of everyday absurdism, Polish artist Cezary Bodzianowski holds up a mirror to an institutionalized world

Nedko Solakov's darkly humorous work expresses a scepticism of authority and power

The Barcelona-based Cuban artist was the winner of the Cartier Award 2008 by Max Andrews

Designs for life: new takes on public furniture

Spinning tall tales: autobiography and politics in concocted histories

Sigmar Polke’s body of work since the mid-1960s has been consistently iconoclastic, enigmatic and technically innovative

Elegant and minimal in form yet charged with menace, Micol Assaël’s installations articulate the fear of violence and the terrible potency of technology

Sculpture and anthropology from the school of hard knocks

Modernity, violence, narrative, repetition: slapstick shares as much with contemporary art as it does comedy

Pádraig Timoney's visual language privileges diversity over uniformity

Keren Cytter's videos celebrate the role of cinematic cliche in our daily lives

Rachel Harrison's installations and sculptures explore hierarchies of display and cultural value

Histories of Modernism, photography and the occult

Early June saw the opening of the 52nd Venice Biennale, documenta 12 and Sculpture Projects Muenster 07

Robert Storr’s Biennale was characterized by conscientiousness and fairness rather than provocation

Documenta

Documenta

Venice

Venice

Venice