Features

From her ‘Portable Parks’ to the ‘Living Library’, for over 30 years Bonnie Sherk has aspired to ‘expand the concept of art to include, and even be life’

Some questions seem so obvious they are almost never asked. With the proliferation of museums, biennales and fairs, and the sheer amount of work now being made, shown, and sold, the art world has obviously changed substantially over the last 40 or so years. But what have been the most important shifts in art and the structures that surround it? frieze has asked 33 artists, collectors, critics, curators, educators and gallerists to respond

Art has changed dramatically over recent decades – but many of these developments have been positive

Morgan Fisher engages with definitions of the filmic not only in cinema but within painting, video and photography

Some questions seem so obvious they are almost never asked. With the proliferation of museums, biennales and fairs, and the sheer amount of work now being made, shown, and sold, the art world has obviously changed substantially over the last 40 or so years. But what have been the most important shifts in art and the structures that surround it? frieze has asked 33 artists, collectors, critics, curators, educators and gallerists to respond

No depth, no illusions, just paint

Microcosmic particulars and macrocosmic leaps

Adrian Paci explores personal histories, highlighting their construction and re-staging – from filming the unveiling of a Madonna to selling electricity to fellow artists

Some questions seem so obvious they are almost never asked. With the proliferation of museums, biennales and fairs, and the sheer amount of work now being made, shown, and sold, the art world has obviously changed substantially over the last 40 or so years. But what have been the most important shifts in art and the structures that surround it? frieze has asked 33 artists, collectors, critics, curators, educators and gallerists to respond

On the occasion of his major retrospective at the the Guggenheim, New York, from issue 94, 2005, Tom Morton on Maurizio Cattelan

Between the earth and the sky

Crystals, collages, recycled Modernism and ashtrays

Space, and who owns it, is central to Christoph Büchel’s work. To this end he has fabricated fictional interiors of apartments, frozen the remnants of a rock concert, hidden a cheque in a gallery, and more recently in collaboration with Gianni Motti, begun negotiations to rent Guantánamo Bay from the Cuban Government

Expectation, choice and consequence; rock stars stripped of all but their gestures

New Forms of Modernism; ambivalence and ambiguity; 'an act of processing'

Painting as a site of struggle, doubt and pleasure

Trisha Donnelly employs the immaterial – esoterica, occult ritual and paranormal phenomena – to explore the material world of consumer experience

For 25 Years Rosemarie Trockel has examined the slippery connection between sexual identity, images and the way they are perceived

Ankara's public spaces, slide-shows, animations and videos

In 1968 Ian Wilson made his final sculpture. Since then, he has explored the idea of oral communication as an art form