Features

Shooting stars, passers-by and the view from a window

From index cards to diners, Allen Ruppersberg's approach to making art is replete with endless loops of reference

Complicity and conflict explored via films, performances, paintings, installations and billboards

Frances Stark's playful work is as richly literary as it is visually economic

Yang Fudong's photographs, films and videos evoke a dream world of unresolved conflicts and extreme sensations

Queer history, fantasy connections and imaginary alliances

Vegetables, families and psycho-sexual behaviour jostle for position in Philippe Perrot’s paintings

Blurry phantasms between abstraction and figuration

Dutch identity, driving across Europe in a plywood car, the charity of strangers

Unresolved mysteries; science fiction, comic books and stereotypes

Domestic strangeness and controlled violence; Sylvia Path and discredited femininity

Christina Mackie's practice echoes that of a scientist, mapping units from one system of understanding onto another

Hans-Peter Feldmann's work draws on an enormous personal archive of material he has spent decades gathering

Rirkrit Tiravanija’s mid-career retrospective demonstrates how his work has emphasized interpersonal activity over art production

Chronicles of the everyday; photographs, paintings, collectives and cultural identity

Celluloid portraits; time, tears and suburbs; discord and repetition

Geometric conundrums; architecture, sculpture and a ‘shy, friendly giant’

False invitations, fictional films, alcoholism, tapestries and self-doubt

Roman Ondák’s interventions into the patterns of daily routines are both existential and politically pointed

Andrea Zittel’s projects include the best way to cook eggs, design clothes or build a ranch; an approach to art that evolves from the demands of everyday living