Interviews

In conversation with Marina Abramovic

Q: What should stay the same? A: Nothing, everything can be replaced.

Francesco Vezzoli’s Trailer for a Remake of Gore Vidal’s Caligula (2005) is on view at the Italian Pavilion at Venice Biennale until November 2005. His exhibition Trilogia della morte (Trilogy of Death), presented by the Fonadazione Prada at the Fondazione Giorgio Cini, Venice, will be on view until September 2005.

Sharon Lockhart is an artist who lives and works in Los Angeles. She is currently working on a new film and photographic series addressing the experience of American childhood.

Samuel Fosso's photographs were included in the recent 'Africa Remix' exhibition at London's Hayward Gallery. 'Platform for Art' is showing three works by Samuel Fosso at Gloucester Road Underground station, London until 13 June 2005.

Of the generation that came through art school during the upheavals of May 1968, John Stezaker has long been intrigued by the power of images

An interview with Mel Bochner on words, portraits, Roget’s Thesaurus, colour, Jorge Luis Borges, humour, nostalgia and political engagement

An interview with Bruce Nauman about his commission for the Turbine Hall at Tate Modern, poetry, architecture, sound and language

What images keep you company in the space where you work? The outside of the inside.

An interview with John Ashbery

A recent exhibition at MoMA in New York included masterpieces of everyday design such as Post-It notes, tea-bags and the Chupa Chups lollipop wrapper created by Salvador Dalí; Paola Antonelli in conversation

Doug Aitken in conversation with Ed Ruscha

An interview with Jens Hoffmann about his recent appointment as Director of Exhibitions at the Institute of Contemporary Arts (ICA), London

An interview with Ingo Maurer

An interview with Philippe Parreno

An interview with Roger M. Buergel about his recent appointment as Artistic Director of Documenta 12

An interview with Bryan Ferry

An interview with Brian O'Doherty

An interview with Dan Graham

An interview with Lavinia Greenlaw