Artist Karin Sander and social scientist Harald Welzer have known each other since Welzer exhibited Sander’s works as a gallerist in Hanover in the 1990s. In his most recent book Selbst denken. Eine Anleitung zum Widerstand (Thinking for Ourselves: a Manual for Resistance, 2013), Welzer calls for a move away from the ideology of economic growth, in light of world‑wide economic crises, calling instead for intelligent concepts for a ‘culture of reduction’. Intelligent reduction is exactly what Sander’s art engages with time and again. This conversation between Sander and Welzer, moderated byJörg Heiser, includes a conceptual intervention by Sander.
Gallerist, collector, curator and director René Block talks to artist Maria Eichhorn about ambition in art, the unexplored diversity of Fluxus and the importance of music in a career spanning 50 years
An interview between curator Virginie Bobin and artists Libia Castro and Ólafur Ólafsson discussing music, the public and private, national identity, mobility and humour.
Meret Oppenheim would have celebrated her 100th birthday in October this year. The centenary has prompted a major retrospective in Vienna which will travel to Berlin, and this conversation between former curator of Kunsthaus Zurich Bice Curiger and her successor Cathérine Hug
In this series, frieze d/e asks artists to discuss their affinities to another person’s work. Here, Sibylle Berg shares her enthusiasm for the Finnish video artist Heta Multanen
On the occasion of his retrospective in Karlsruhe, Werner Büttner talks to Jan Verwoert and Jörg Heiser about polemics and punchlines in more than three decades of work
From his Conceptual art of the 1960s to his recent computer-generated works, Victor Burgin has consistently explored the virtual nature of images and words. He talked with writer and curator David Campany
Artist Matthieu Laurette, critic Vivian Sky Rehberg and the prolific curator, collector and dealer Seth Siegelaub, who died in 2013 aged 71, discuss the legacy of Conceptual art, the origins of curating and how art history is made
