Opinion

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After Hours is filled with a familiar, sometimes crushing, sense of yearning for something more

BY Aria Dean |

The AI host of Netflix’s latest reality dating show is the love child of Big Tech and Saint Augustine

BY Rosanna McLaughlin |

The fifth season of Billions is a queasy portrait of inequality in the US, but it can be hard to look away

BY Ian Bourland |

In FX’s new series, the women on both sides of the fight for the Equal Rights Amendment know that the totems of power are often just good grooming

BY Haley Mlotek |

Next year will be crushingly difficult for all aspects of cinema. Some theatres have a plan

BY Chris Sharratt |

As COVID-19 intensified, video games about disease spread

BY Lewis Gordon |

A new Netflix documentary and an online exhibition at Fierman Gallery, New York, celebrate the legacy of a shuttered gay bookstore, and the world disappearing along with it 

BY Evan Moffitt |

When we feel caged at home, online animal videos offer a way to connect

BY Orit Gat |

Six minutes of the glossy new streaming app’s TV-for-smartphone ‘quick bites’ can feel like an eternity

BY Kyle Chayka |

In the Hulu adaptation of Nick Hornby’s classic novel, Da’Vine Joy Randolph shows you don’t always need the limelight to shine

BY Harmony Holiday |

From his parodies of celebrity culture to his depiction of gender identities, there is still a lot to unpack on the centenary of the film director’s birth

BY Jamie Mackay |

From @jerrygogosian to @bradtroemel, memes have become a primary method of institutional critique

BY Mike Pepi |

On the video-sharing app, laughter lubricates the wheels of the desperation train

BY Rob Horning |

The New York-based comedians give sexually repressed characters, from sci-fi heroes to famous academics, the chance to fight and fall in love

BY Rea McNamara |

Why be part of the art world when you can just crash the party? 

BY Steven Phillips-Horst |

The critic’s folksy guide, How to Be an Artist, includes some valuable insight on the creative process 

BY Dan Fox |

Can her new single, ‘Back to Me’, resurrect the career of Hollywood’s favourite fallen idol?

BY Rosanna McLaughlin |

Has Covid-19 made the internet good? It’s important to maintain our scepticism in this moment of unicorn-wifi-in-the-sky ‘niceness’

BY Orit Gat |

Through sub-par speakers in bedrooms and living rooms, across cities and continents – queer joy persists

BY Mimi Chu AND Cami Rincon |

Finding comfort in digital maximalism after a decade of decluttering

BY Kyle Chayka |
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