Reviews

Showing results 261-280 of 6346

A new exhibition looks back at the artists who resisted poisonous cultural narratives of the ’80s and ’90s with care, humour and style

BY Rosanna McLaughlin |

The most urgent works at this year’s 70th Berlinale Film Festival are about coming to terms with culture’s inherited mythologies

BY Anthony Hawley |

At Królikarnia, Warsaw, the artist imagines a world in which unique natural, cultural and recreational resources are protected instead of endangered

BY Dorian Batycka |

For her latest show at Kerlin Gallery, the artist incites a state of half-recognition reminiscent of Alzheimer’s 

BY Maeve Connolly |

At MASP and SESC Avenida Paulista, the artist’s survey asks who ‘belongs’ and who controls the national narrative

BY Camila Belchior |

At David Zwirner, New York, the late painter’s work speaks frankly to a black audience without distracting appeals to white art audiences

BY Erica N. Cardwell |

The artist’s solo exhibition at GAO Gallery, London, is brash, demented and necessary

BY Lawrence Dodgson |

At Galerie Barbara Weiss, Berlin, the artist’s painted grids speak to how memories are always mediated and wrought

BY Kristian Vistrup Madsen |

At Mendes Wood DM, Brussels, a world of quiet empathy is set against modernity, instantaneity and the desecration of wild Brazil

BY Paul Carey-Kent |

Premiering in the US and UK this month, Céline Sciamma’s lesbian period drama employs the myth of Orpheus to re-centre the female gaze

BY Cassie Packard |

For her exhibition at Galerie Francesca Pia, Zurich, the artist reassembled disused advertising signs into abstract sculptures

BY Fabian Schöneich |

At Chapter, New York, collages on canvas and ceramic fuse references to Jewish mysticism and the history of craft

BY Amy Zion |

Learning to survive a jittering feed of survivalist pro tips and transhumanist dreck

BY Brian Dillon |

At Kayne Griffin Corcoran, Los Angeles, the artist’s paintings of the Sonoran desert span millennia of cultural references

BY Jennifer S. Li |

The movement wasn’t all hard outlines, puns and absurdism as a show in London reveals

BY Sophie Ruigrok |

Showing new commissions produced over a two-year period, ‘Modes of Encounter’ is an attempt to reset the relationship between artists, institutions and publics – that doesn’t quite come off

BY Alvin Li |

At Artists Space, New York, the 'public secret society' expands its ranks 

BY Christopher Green |

At Gladstone Gallery, New York, the colourful lives of gay icons comprise a cultural self-portrait

BY Shiv Kotecha |

The artist’s exhibition at PSM Gallery, Berlin, reflects on the relationship between body and mind

BY Sonja-Maria Borstner |

Moments of thrilling prose are not enough to stop ‘Strange Hotel’ from feeling laboured

BY Lauren Elkin |
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