Reviews

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The post-minimalist based her abstractions on one predicament - ‘I don’t know where I come from and I don’t know where I’m going’

BY KJ Abudu |

At Nova Contemporary, Bangkok, the artist draws on ancient ritual to intervene in current Cambodian politics

BY Max Crosbie-Jones |

At Berlin’s KW Institute, Chicago Imagism, corporeal feminism and bondage scenarios.

BY Chloe Stead |

Sean Burns reviews Birmingham’s live art biennale

BY Sean Burns |

The artist’s first major UK retrospective reveals the claustrophobic emptiness of the paintings from his key decade

BY Paul Carey-Kent |

At the Royal Court, four new plays by the UK’s boldest dramatist ask urgent questions about the uses and abuses of language

BY Ellen Mara De Wachter |

Or are they destined to succumb to fantasy, nostalgia and divisive stereotypes?

BY Cleo Roberts |

The artist looks to the life of Marcus Garvey, founder of the Universal Negro Improvement Association, to foster a kind of kinship you can literally hold

BY Rianna Jade Parker |

An exhibition aims to give voice to the ‘fallen women’ at the heart of the Victorian brotherhood

BY Chloë Ashby |

This year’s edition of the French biennale asks how biological and economic developments inform one another

BY Helena Julian |

Riley’s paintings make a strong case for embodied encounters with art: glorious advocates for the gallery space itself

BY Hettie Judah |

Informed by the legacies of funk and jazz, the artist’s many collaborations are given space to shine

BY Ian Bourland |

A new retrospective celebrates the artist’s ability to warp technology

BY Thomas McMullan |

The artist’s stuttering videos, on view at Freedman Fitzpatrick, challenge conventional notions of artistic authorship and circulation

BY Olivian Cha |

Kilimnik’s subjects are nearly always brutal – murder, empire, war – and just as often delivered with a practiced detachment

BY Travis Diehl |

A new gallery, dieFirma, opens in Cooper Square, New York, with an important presentation of an overlooked artist whose work spanned furniture to flowers

BY Glenn Adamson |

Sex, myth and history entwine in a display of the artist’s sketches, photographs and ephemera

BY Wong Binghao |

An emporium of new-age junk and legal highs debases Marlborough London’s exhibition space

 

BY Daniel Culpan |

The artist’s exhibition at Delmes & Zander, Cologne, exposes society’s fear of sexually self-determined women

BY Moritz Scheper |

The most famous painter in the US finally receives art world recognition

BY Ian Bourland |
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