Reviews

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A survey of the artist’s paintings and sculptures at Chicago’s Kavi Gupta skewers drug companies’ marketing tactics in the midst of the US opioid crisis

BY B. David Zarley |

Kasper reflects on a world in which everyone is a critic, every space a studio

BY Sarah E. James |

The artists’ latest performance at Block Universe leaves us hanging in ambiguity

BY Kareem Reid |

At once elegiac and angry, a new show of paintings illuminates the filmmaker’s ambivalent relationship with religion

BY Daniel Culpan |

From costumes to cubism, this impressive retrospective showcases the wide-ranging career of a Russian avant-garde icon

BY Amy Sherlock |

London’s annual performance-art festival probed the unsteady relationship between dance theory and practice, and the uneasy split between mind and body

BY Ellen Mara De Wachter |

At the Brooklyn Museum, a landmark exhibition of never-before-seen photographs captures a rich spectrum of postwar American life

BY Ian Bourland |

For her show in Grand-Hornu, the artist delves into the Mundaneum, a 19th-century utopian project to classify all human knowledge

BY Hettie Judah |

In her solo show at Galerie Eva Presenhuber in New York, the artist’s precision leaves all possible disorder to signification

BY Rainer Diana Hamilton |

A group show at SOAS, London, explores the complex, often violent, cultural legacies that have shaped the country 

BY Cleo Roberts |

The duo’s latest installation at the Prada Foundation is an incomplete take on contemporary America

BY Andrew Durbin |

A survey show of the late artist’s restlessly inventive work at Galerie Thaddaeus Ropac, Paris

BY William Davie |

At Lawrie Shabibi, Dubai, the UAE-born artist pays homage to his local terrains

BY Evan Moffitt |

A show at Hong Kong’s Tai Kwun Contemporary asks whether to be a woman is always to be damaged goods

BY Jennifer Piejko |

At Shanghai’s Qiao Space, the artist’s ambitious new project raises more questions than it answers

BY Simon Frank |

The artist walks a fine line between nostalgic irreverence and wry critique

BY Fanny Singer |

In her compellingly off-kilter sculpture, Reaves imagines strange and dire futures

BY Chris Wiley |

At Nasher Sculpture Center, the prolific artist’s solo exhibition chafes at the history of Western modernism

BY Jonathan Griffin |

At Hive, Beijing, Yu Linhan’s abstract representations of medical equipment are unsettling and beautiful

BY Nooshfar Afnan |

A two-part survey of the artist’s work at the San Francisco Museum of Modern Art and Yerba Buena Center for the Arts foregrounds dialogue as a radical political act

BY Liz Hirsch |
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