Reviews

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The painter’s first European retrospective since the 1960s finally allows her to step out of Jackson Pollock’s shadow

BY Phoebe Cripps |

Written in a remote village in Cumbria, ‘Reward’ is tensely intimate yet wrapped in lyrical conundrums 

BY Chris Sharratt |

In Berlin, a show of recent canvases by the master French anti-painter

BY Kito Nedo |

An exhibition at Munich’s Alte Pinakothek reappraises Caravaggio’s influence

BY Tim Smith-Laing |

The artist’s installation, on view at the Broad Art Museum at Michigan State University, draws from the legacy of the permaculture movement and the lessons of Flint 

BY Natalie Haddad |

At Display, Prague, the Brazilian artist questions the insidious mechanisms that govern women’s reproductive health

BY Phoebe Blatton |

At Bombas Gens, Valencia, a retrospective of the terrestrial geographies of the overlooked painter

BY Max Andrews |

An exhibition in Rome explores how a move to an ocean-side home effected a transitional late period in this major artist’s work

BY Ana Vukadin |

An exhibition at Swiss Institute, New York, reflects on the vulnerability of our bodies and our desire for intimacy

BY Orit Gat |

Challenging films and installations were highlights at one of Asia’s most important festivals

BY Neil Young |

A new exhibition at BolteLang, Zurich, is as markedly sombre as it is delightful

BY Aoife Rosenmeyer |

Paul B. Preciado’s norm-defining show at WKV Stuttgart lays the groundwork for a crip-theoretical re-evaluation of art history

BY Saim Demircan |

Most works carry a subtle political charge that amounts to a thoughtful critique of the injustice of our times

BY Evan Moffitt |

A new exhibition at Birmingham’s Ikon Gallery feels at once reminiscent and foreboding

BY Aurella Yussuf |

An exhibition at Index, Stockholm, fuses activism, queer performance and pop music

BY Frida Sandström |

At Goldsmiths CCA, the group’s darkly comic grotesqueries reflect an unsettling age  

BY Patrick Langley |

With wit and gumption, the late artist broke with institutional proprietaries and pedigree to rethink art’s place in its community

BY Shiv Kotecha |

An epochal exhibition of the Ghanaian artist – the last curated by Okwui Enwezor – gives the Munich institution a new face

BY Jane Ure-Smith |

Two concurrent exhibitions in London use mark-making as a way to get at something beyond what we see

BY Harry Thorne |

Curated by Charlie Porter, ‘Palimpsest’ turns the attention back on the history of the neo-gothic estate

BY Mimi Chu |
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