UK Reviews

Showing results 121-140 of 201

Across spaces in London, authors, artists and collectives from southwest Asia, north Africa and the wider diaspora fuse storytelling and performance to preserve personal histories

BY Hiba Mohamed |

At Taymour Grahne Projects, the artist's saturated paintings depict the city’s queer community in the nostalgic afterglow of nightclub life

BY Kevin Brazil |

Is contemporary art a reaction to social, political and local specificities or is it active in creating new utopic, progressive impulses? The BAS9 aspires to ask both

BY Sean Burns |

On the Isle of Bute, the artist uses objects to expose the geology of the 18th-century Mount Stuart House and engage with the Scottish mansion's material history

BY Hettie Judah |

From Kobby Adi's industrial mise en scène to Emma Talbot's exploration of collective mourning, here are our editor's picks

BY frieze |

In Aindrea Emelife’s group show at The Perimeter, the work of seven Black artists explore experiences of recollection and nostalgia to examine the relationship between Blackness and history

BY Aida Amoako |

At Goldsmiths Centre for Contemporary Art, the London-based artist’s installation re-appropriates industrial and mass-produced objects, unlocking their numerous connotations

BY Kareem Reid |

At Maximillian William, a group show celebrates modernist sculpture bringing Simone Leigh and Magdalene Odundo’s anthropomorphic vessels together with Thaddeus Mosley’s Brancusian forms

BY Vanessa Peterson |

The exhibition at Tate Liverpool takes women’s liberation as its basis, leaning on frustratingly narrow definitions to justify connections between Linder and Martine Syms 

BY Lauren Elkin |

Agar has been widely associated with the European avant-garde movement but, as Whitechapel Gallery’s retrospective makes clear, she sought to define no one’s image but her own

BY Juliet Jacques |

The artist’s new show at Dundee Contemporary Arts explores the intense physicality of collective sorrow through the body as landscape

BY Tom Jeffreys |

From Jade Montserrat’s take on Alice Walker’s ‘Gardens’ to Tom Lovelace’s deconstruction of Georges Seurat’s ‘Bathers’, these are the best shows south of the river

BY Mimi Chu |

From Kate Dunn’s quasi-religious vision of the rave to Alicia Henry’s unique take on portraiture, these are the best shows in the West End  

BY Allyssia Alleyne |

Amid a glut of painting and portraiture, a few artists are experimenting with video, photography and animation

BY Andrew Durbin |

From Pakui Hardware's medical examination room in Gateshead to a London show by New York collective and label CFGNY, here are our editor's picks 

BY frieze |

The artist’s exhibition at Chisenhale Gallery shows how entangled and dependent our lives are upon one another

BY Kate Wong |

The artists' respective exhibitions at Kate MacGarry and Victoria Miro use abstractions to expose our fragile yet resilient nature in relation to the pandemic

BY Natalie Nzeyimana |

A group show at Richard Saltoun Gallery attempts to disentangle the 20th-century political philosopher's question, exploring perspectives from the individual to the state

BY Aurella Yussuf |

At Baltic Centre, Gateshead, the Lithuanian artist duo open their first UK institutional solo with a quasi-operating room featuring a giant mechanical doctor

BY Alice Bucknell |

At Almine Rech, ‘Country Western’, the artist’s first solo show in the UK, draws on the unashamed iconography surrounding fame

BY Cal Revely-Calder |