10 Works Under $5,000 on Frieze Viewing Room

From watercolours on paper to ceramic sculptures, discover and collect affordable contemporary art on Frieze Viewing Room

in Frieze New York | 05 MAY 21

Frieze Viewing Room is now closed.

Opening Times

Wednesday Preview, May 5, 11am EST – Invitation only

Thursday Preview, May 6, 11am EST – Invitation & Frieze members only

Friday, May 7, 11am EST - Friday, May 14, midnight EST – Free access to all

Agustina Woodgate (Barro)

K13277993D, 2021

Price: $2,000

An eroded US dollar banknote deconstructing money as representational medium and cancelling its value. This work belongs to Woodgate's investigation into the role of automation and its consequences for labor and value.

AGUSTINA WOODGATE K13277993D, 2021 4.72" x 8.66" x 0.59" (12 cm x 22 cm x 1.5 cm) Hand sanded $1 US banknote in acrylic case — Agustina Woodgate, *K13277993D,* 2021. 12 cm x 22 cm x 1.5 cm, Hand-sanded $1 US banknote in acrylic case. Courtesy of the artist and Barro

Alannah Farrell (Anat Ebgi)

Room 13, 2020

Price: $ 3,000

Neither celebratory nor heroic, Alannah Farrell’s sensitive portraits portray their friends and queer community in moments of solitary contemplation, finding a productive space in reconstruction and the painful process of becoming.

Alannah FarrellRoom 13, 2020 18.5" x 22.83" (47 cm x 58 cm) Watercolor on paper, — Alannah Farrell, *Room 13*, 2020. 47 cm x 58 cm, Watercolor on paper. Courtesy of the artist and Anat Ebgi

Alex Katz (Allied Editions - Skowhegan School of Painting & Sculpture)

Skowhegan Costume Ball, 1969

Price: $500

Skowhegan Costume Ball, 1969 31" x 21.75" (78.74 cm x 55.245 cm) Lithograph — Alex Katz, *Skowhegan Costume Ball*, 1969, 78.74 cm x 55.245 cm. Lithograph. Courtesy of Allied Editions / Skowhegan School of Painting & Sculpture

Andrew Ross (False Flag)

Untitled #2, 2021

Price: $2,500

Andrew Ross is a New York-based multidisciplinary artist. His work has exhibited at The Drawing Center and at the Studio Museum in Harlem, among others.

ANDREW ROSS Untitled #2, 2021 30" x 24" (76.2 cm x 60.95 cm) Acrylic, ink, graphite and chalk on gampi paper — Andrew Ross, *Untitled #2*, 2021, 76.2 cm x 60.95 cm. Acrylic, ink, graphite and chalk on gampi paper. Courtesy of the artist and False Flag

Brenda Goodman (Sikkema Jenkins & Co.)

Did You Hear Me?, 2019

Price: $3,600

Spanning a career of over 50 years, Brenda Goodman has relentlessly explored the physical and psychological limits of abstraction and figuration. The series combines her expressionist tendencies with figuration to reveal the innate vulnerability and power within one’s own mortality.

Brenda Goodman, Did You Hear Me?, 2019 5.98" x 7.99" (15.2 cm x 20.3 cm) Oil on paper — Brenda Goodman, *Did You Hear Me?*, 2019, 15.2 cm x 20.3 cm. Oil on paper. Courtesy of the artist and Sikkema Jenkins & Co.

Damien Davis (Mrs.)

Invalid Prescription (Blackamoors Collages #497), 2021

Price: $3,000

These new works by Damien Davis consist of laser-cut acrylic panels interconnected using stainless steel hardware displayed as wall reliefs and as freestanding sculptures. Davis’s practice explores historical representations of Blackness by seeking to unpack the visual language of various cultures and question how these societies code representations of race through craft, design, and digital modes of production.

Damien Davis, works — Damien Davis, *Invalid Prescription (Blackamoors Collages #497)*, 2021. 27.9 cm x 27.9 cm x 6.3 cm. Laser-cut acrylic and stainless steel hardware. Courtesy of the artist and Mrs.

Ina Archer (Microscope Gallery)

A Liberated Moor, Dolce, 2021

Price: $3,000

The work portrays a Nougatine candy from the brand Venchi currently still in production, acquired as a family gift from Rome. Archer changed the usual branding on the wrapping to "A Liberated Moor.” This watercolor by Archer is one in a series of depictions of racially-charged objects the artist acquired from vintage stores. By removing the collectible from the market and the public exchange, the artist intends to “liberate” it from new cycles of ownership that prolong the effects of their intolerant symbology.

INA ARCHER A Liberated Moor, Dolce, 2021 14.02" x 10.51" x 1.5" (35.6 cm x 26.7 cm x 3.8 cm) Watercolor on paper. Courtesy of the artist and Microscope Gallery — Ina Archer, *A Liberated Moor, Dolce*, 2021. 35.6 cm x 26.7 cm x 3.8 cm. Watercolor on paper. Courtesy of the artist and Microscope Gallery

Otani Workshop (Kaikai Kiki Gallery)

TBC, 2020

Price: $2,440

Japanese artist Otani Workshop, works with wood, iron, and other materials in addition to ceramics. Otani’s works maintain the rough texture of coarse-grained clay, which, together with their cute appearances, give them their distinct air as sculptures.

OTANI WORKSHOP TBC, 2020 6.69" x 3.35" x 2.76" (17 cm x 8.5 cm x 7 cm) Ceramic — Otani Workship, *TBC*, 2020, 17 cm x 8.5 cm x 7 cm. Ceramic. Courtesy of the artist and Kaikai Kiki Gallery

Ronny Quevedo (Allied Editions - Queens Museum)

no hay media luna / there is no half moon, 2020

Price: $700

This edition draws upon diagrammatic references to the various ball games played daily by local immigrant communities in Queens including basketball, soccer, volleyball, and handball. All proceeds from the sales of these QM Artists Editions support the Queens Museum’s Education, Exhibitions, and Public Programs.

Ronny Quevedo Edition — Ronny Quevedo, *no hay media luna / there is no half moon*, 2020. 27.15 cm x 38.74 cm. Silkscreen and letterpress (blind emboss) on Saunders 300gsm High White paper. Edition 50. Courtesy of the Queens Museum

Zeinab Saleh (Château Shatto)

Do you know what I want to tell you?, 2021

Price: £1,400

Like her larger paintings on canvas, Zeinab Saleh’s works on paper sublimate the artist’s encounters with music and video, a process that captures the accumulation of the personal alongside the popular. Saleh works from stills plucked from family video archives and other motion pictures to isolate details within a frame, extracting line, gesture, and atmosphere. She translates not just the forms, but the frequencies and vibrational qualities from a moving image to one that is static.

Zeinab Saleh Do you know what I want to tell you?, 2021 23.23" x 16.54" (59 cm x 42 cm) Acrylic, charcoal, chalk and archival fixative on paper — Zeinab Saleh, *Do you know what I want to tell you?*, 2021. 59 cm x 42 cm. Acrylic, charcoal, chalk and archival fixative on paper. Courtesy of the artist and Château Shatto

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Main image: Andrew Ross, Untitled #2, 2021, 76.2 cm x 60.95 cm. Acrylic, ink, graphite and chalk on gampi paper. Courtesy of the artist and False Flag

10 Works Under $5,000 on Frieze Viewing Room

From watercolours on paper to ceramic sculptures, discover and collect affordable contemporary art on Frieze Viewing Room

Frieze New York 2021

Frieze Viewing Room