X Zhu-Nowell’s Top Picks from Frieze Viewing Room

The Artistic Director of Shanghai’s Rockbund Art Museum chooses works by Evelyn Taocheng Wang, Raqs Media Collective and Bani Abidi at Frieze London and Frieze Masters 2024

in Frieze London & Frieze Masters , News | 08 OCT 24

Evelyn Taocheng Wang, Accumunation, 2023 

Calligraphy ink on silk, 147 × 154.2 × 5 cm. Presented by Carlos/Ishikawa. $20–50k

Accumunation
Evelyn Taocheng Wang, Accumunation, 2023. Calligraphy ink on silk, 147 × 154.2 × 5 cm. Courtesy: the artist, Antenna Space, Carlos/Ishikawa, Galerie Fons Welters and Kayokoyuki. Photo: Damian Griffiths 

Based in Rotterdam, Evelyn navigates her position as an immigrant artist from China, blending boundless imagination with an intimately personal narrative. Her work is intricate, fragmented and paradoxical, responding to the social context in which she finds herself. Evelyn’s oeuvre merges the emotional, poetic and autobiographical, intertwining transcendental and profound expressions with seemingly superficial, absurd and irrelevant commentaries – often tinged with sardonic wit. Accumunation, created shortly after her solo exhibition at the Rockbund Art Museum, continues her ongoing dialogue with the traditions of Chinese ink painting, recontextualizing these influences from a deeply personal perspective. Her recurring use of the seal ‘Don’t take it seriously’ encapsulates the humour that permeates her practice and serves as a sharp contrast to the transcendental ambitions of modernist painters. 

Isaac Chong Wai, Falling Reversely - Collective Fall 1, 2023 

Archival inkjet print set of 12 framed prints, 246.5 × 188.5 × 5 cm. Presented by Blindspot Gallery$20–50k

Falling Reversely
Isaac Chong Wai, Falling Reversely - Collective Fall 1, 2023. Archival inkjet print, set of 12 framed prints, 246.5 × 188.5 × 5 cm. Courtesy: the artist and Blindspot Gallery 

How does one resist falling alone? Isaac Chong Wai’s Falling Reversely - Collective Fall 1 emerges as a timely intervention, embodying gestures of care and solidarity amidst the precarious flux of our surroundings. This work probes the intricacies of collective resilience, asking how we might hold each other within the relentless shifts of our environment – how we might sense, feel and remain attuned to one another.  

Bani Abidi, Still life with margins of a newspaper, 2024 

Archival pigment print mounted on alu-dibond, 71.8 × 95.3 cm. Presented by Experimenter. $10–20k

Still life with margins of a newspaper
Bani Abidi, Still life with margins of a newspaper, 2024. Archival pigment print mounted on alu-dibond, 71.8 × 95.3 cm. Courtesy: the artist and Experimenter 

I am deeply moved by this seemingly mundane image of everyday resistance, where the fragile margins and gutters of a German newspaper bear silent witness to the ongoing genocide. Here, the margins are not merely spaces to which people are relegated for survival; they also become potent, fertile grounds where strategies of resistance quietly take root and flourish. In Abidi’s work, I find a grounded practice – poetic yet polemical – where revolutionary attitudes are always submerged within the fabric of the everyday. 

Sikhote-Alin Meteorite, 1947 (impact date)

10 × 12 cm. Presented by Artancient. $50–100k

Sikhote Alin Meteorite
Sikhote-Alin Meteorite, 12 February 1947 (impact date). Iron, 10 × 12 cm. Courtesy: Artancient, London

Matter has been on my mind. As a stone collector, it’s only fitting that a remarkable piece of meteorite would be among my top picks! 

Raqs Media Collective, Moon Clock, 2024 

Aluminium, UV printing, Acrylic, paint, LED light, Foil, 65 × 65 × 13 cm. Presented by Frith Street Gallery. $20–50k

Moon Clock
Raqs Media Collective, Moon Clock, 2024. Aluminium, UV printing, Acrylic, paint, LED light, Foil, 65 × 65 × 13 cm. Courtesy: the artist and Frith Street Gallery

In an era when the very notion of a future has become a luxury, what we need is not just a new perspective on time, but a radical rethinking – a new politics of time itself. Raqs Media Collective’s Moon Clock and Time Devices are the instruments that we urgently require. These works challenge the linearity and rigidity of conventional timekeeping, instead transforming it into an intimate and subjective experience.  

About X Zhu-Nowell

X Zhu-Nowell
X Zhu-Nowell

Zhu-Nowell is a curator and writer based in Shanghai and New York, currently serving as the Artistic Director of the Rockbund Art Museum in Shanghai.

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Main Image: Isaac Chong Wai, Falling Reversely - Collective Fall 1, 2023. Archival inkjet print set of 12 framed prints, 246.5 × 188.5 × 5 cm. Courtesy: the artist and Blindspot Gallery

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