Google Deep Dream

Digital hallucinations and formless beasts

Koufun, Underwater City, 2015, pornographic image from Brazzers website reworked with Deep Dream. Courtesy Koufun

Koufun, Underwater City, 2015, pornographic image from Brazzers website reworked with Deep Dream. Courtesy Koufun

Koufun, Underwater City, 2015, pornographic image from Brazzers website reworked with Deep Dream. Courtesy Koufun

In July 2015, Google released Deep Dream, a piece of software that uses a neural network to find and enhance patterns in images. The network, ‘trained’ on Google’s vast storehouse of image-search results, tends to interpret shapes as animals, turning nearly any image into a hallucinatory, formless array of eyeballs, muzzles and beaks. The first thing the internet used it on was porn. When the handyman came, he knocked twice, hard, without hesitation. She kicked loose screws out from under the sink. He rang, leaning into her strident doorbell, and she opened only then, feigning having travelled some distance from a calamity across the apartment. He stood in the doorway in shirtsleeves, smelling of turpentine and musk. She shrugged, wrench in hand, unscrewed. Pointed at the water heater: a sound, an ominous clang. He peeled himself from the door jamb and poured into the hall, clocking her décolletage. He dropped his tool kit and then to his knees in the shifting paisley of the carpet. The muscles of his back ebbed as he worked. Standing behind him, she unbuttoned her blouse, hands softening into fleshy paws as they moved across her body, revealing a pair of natural, bouncing Akita puppies. She kicked off her shoes and tip-toed towards him on delicate beaks. She dropped the wrench and the premise of the water heater, never broken, having never once clanged. He turned his melting profile to her as she joined him on the floor and enveloped him in the purple curves of her thighs. He found himself hard and glistening as a scarab. Her every darkness was a spiralling eye, a panting mouth. He tore his shirt; the plane of his chest was rippled with rounded spirals of multicoloured muscle, each ghosting like a double-exposure. Her face fanned into the carpet in bestial ecstasy as the puppies whorled with each thrust of his throbbing, dog-nosed proboscis. They fucked in a feathery fractal in the time it took to render.

Claire L. Evans is a writer and artist working in Los Angeles, USA. She is one half of the pop group YACHT and Futures Editor of  Motherboard.

Issue 176

First published in Issue 176

Jan – Feb 2016

Most Read

The relevance today of Arthur Evans’s Witchcraft and the Gay Counterculture
Opening tomorrow, Wolfgang Tillmans's major retrospective at Tate Modern shows an artist coming full circle
As Trump casts his shadow over the city, the art world has found ways to respond
Following this year's edition of Art Rotterdam, Laurie Cluitmans rounds-up the best shows in the city
The Showroom, London, UK
The derelict Croydon airport, Batman as a sainted figure, and a potential new work: a road movie going nowhere
The fourth edition sees Saudi artists delivering work that is unfettered, brave and relevant
The new director of London's ICA discusses rebuilding, restructuring and the integrity of culture
From Umberto Eco on fascism to Thomas Pynchon’s stand-in: what to read this weekend
Hockney’s masthead for The Sun and ways to make the bubble bigger: a cultural report from the capital
In the studio with Pedro Friedeberg, the last of Mexico’s Surrealists
Included in CTM Festival in Berlin, musician Guillermo Galindo discusses the instruments he builds from the discarded...
A round-up of the best shows in the city, ahead of this year's Zona Maco, which runs from 8 – 12...
Hauser & Wirth, London, UK
Various venues, Madrid, Spain
Ahead of Artgenève this week, a round-up of the best shows in the Swiss city

Latest Magazines

Frieze Masters

October 2016
frieze d/e issue 25, Autumn 2016

frieze d/e

Autumn 2016

frieze magazine

Jan - Feb 2017