in Frieze London , News | 10 OCT 24

Proyectos Ultravioleta Wins the 2024 Frieze London Stand Prize

The gallery won for its trans-generational presentation of Guatemalan artists Edgar Calel and Rosa Elena Curruchic in dialogue

in Frieze London , News | 10 OCT 24

The annual Frieze Gallery Stand Prize has been awarded to Proyectos Ultravioleta in 2024. The Guatemala City gallery won for its trans-generational dual presentation, featuring new paintings by Edgar Calel alongside historical miniatures by Rosa Elena Curruchich (1958–2005), with both artists hailing from San Juan Comalapa, Guatemala. Calel’s work mixes traditional techniques with modern themes, offering a generous perspective on the Mayan cosmovision. Curruchich provides a rich cultural backdrop of Guatemala’s artistic heritage.

Edgar Calel, Me Venden / Mani yi na besq´opij II, 2024. Clay on canvas, 38.2 x 51.2 x 2.3 cm.  Courtesy: Proyectos Ultravioleta, Guatemala City. Photo: Margo Porres
Edgar Calel, Me Venden / Mani yi na besq´opij II, 2024. Clay on canvas, 38.2 x 51.2 x 2.3 cm.  Courtesy: Proyectos Ultravioleta, Guatemala City. Photo: Margo Porres

The jury said this about the winner: ‘The gallery presents a dialogue between a living artist and a historical practice, addressing economic exploitation and political struggle, in a poetic and lively way.’

Rosa Elena Curruchich, El doctor Quebradura, c. 1980. Oil on canvas, 11.20 x 17 x 1.40 cm. Courtesy: Proyectos Ultravioleta, Guatemala City. Photo: Margo Porres
Rosa Elena Curruchich, El doctor Quebradura, c. 1980. Oil on canvas, 11.20 x 17 x 1.40 cm. Courtesy: Proyectos Ultravioleta, Guatemala City. Photo: Margo Porres

The jurors also gave special mentions to Paris’s Galerie Poggi for ‘a cross-section of several decades of work by photographer Dario Villalba, who, throughout his career, challenged the boundaries of photography and explored themes of the human condition’, and Turin’s Galleria Franco Noero, for ‘an elegant display where the focus on a single artist [Martino Gamper] serves as a central element to introduce and integrate the various artistic perspectives of the gallery, all within a domestic setting.’

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