At KIN, Brussels, the artist’s androgynous figures are trapped in a state of leisurely calm 

At Alma Sarif, Brussels, the artist quietly presents 56 litres of paint

At Jan Mot, Brussels, the artist's still lifes reanimate his 1987 installation at New York’s Cable Gallery, giving tangible proof of his fictional narrative

In her forth exhibition at dépendance, Brussels, the artist's slick images of oil fields reflect our petroleum-fulled dreams and desires

At Damien & The Love Guru, Brussels, the artist's photographs and texts put colonial histories in perspective with the rise of nationalism in Europe