To address the continent’s lack of representation on the world stage, the Biennale should look to festivals like Nigeria’s FESTAC ’77

Her marine sculptures and installations envision the future from the bottom of the ocean

The artist’s large-scale exhibition at the Walther Collection, Ulm, displays his skill for impersonation and adds depth to the genre of self-portraiture

Ahead of Bopape's presentation at TBA21–Academy's Ocean Space in Venice, Eric Otieno Sumba reflects on the artist’s relationship with the sea

The newly opened Nairobi Contemporary Art Institute presents the first-ever survey of the autodidact’s long painting career

Eric Otieno Sumba on the cultural and historical significance of new collage work by the Norwegian artist

At Zollamt MMK, Frankfurt, the artist's barren landscapes reveal the ugly legacy of Apartheid

At Jean Claude Maier, Frankfurt am Main, the artist samples from institutions that continue to hoard his native country's heritage, connecting the dots between Christianity and the Angolan textile cultures lost to colonial practices

In his new film, White Cube, the artist – again – perpetuates the very form of exploitation he is criticizing

At the heart of the artist's work is a critique of the violence of representation

Charges of ‘attempted theft of a cultural asset’ against Congolese activist Mwazulu Diyabanza reveal the abyss of Europe’s self-referential legality

At Galerie Kandlhofer, Vienna, the artist reflects on the politics that dictate which lives matter

The album is a timely affirmation for the global African diaspora, but it can’t be accepted as a universal representation of global Blackness

The artist’s current exhibition at Weiss Berlin is a nuanced critique of the notion of Black masculinity

A work by Georg Herold at Frankfurt's Städel Museum causes a debate on art museum's authority to judge on issues of racism