Contributor
Evan Moffitt

Evan Moffitt is a writer, editor and critic based in London, UK. 

At Lawrie Shabibi, Dubai, the UAE-born artist pays homage to his local terrains

BY Evan Moffitt |

Most works carry a subtle political charge that amounts to a thoughtful critique of the injustice of our times

BY Evan Moffitt |

The strongest exhibitions in the 58th Venice Biennale find creative freedom in failure 

BY Evan Moffitt |

At Metrograph, New York, Djibril Diop Mambéty’s newly remastered Hyènes offers a darkly comic metaphor of globalization

BY Evan Moffitt |

Two exhibitions, at MoMA and David Zwirner, reveal how the impresario and his milieu defied the rationalism of 20th-century art

BY Evan Moffitt |

Following her fellowship grant from United States Artists and an exhibition at Wrightwood 659, the designer and theorist discusses solutions to right-wing immigration policies and neoliberal economic development

BY Evan Moffitt AND Keller Easterling |

In the artist’s first US survey at the Aldrich Contemporary Art Museum, abstract paintings and sculptures evoke women’s bodies in pleasure and pain

BY Evan Moffitt |

A provocative exhibition at Casa Luis Barragán reframes the architect’s home and studio through his class and gay identity

BY Evan Moffitt |

From Vincent Fecteau’s killer cats to Aki Sasamoto’s barroom tricks, a selection of exhibitions not to miss

BY Evan Moffitt |

A survey at the Museum of Fine Arts, Houston, revisits the artistic movement and sheds new light on its demand for political change 

BY Evan Moffitt |

‘Appointed by Barack Obama in 2009, Sotomayor is the fourth woman and the first Latina to serve on the nation’s highest court’

BY Evan Moffitt |

In a survey at Contemporary Arts Center, New Orleans, photographs by Keith Calhoun and Chandra McCormick capture life within the US prison industrial complex 

BY Evan Moffitt |

With the Menil Drawing Institute opening on the eve of the US midterm elections, what Houston says about the future of the country

BY Evan Moffitt |

At LABOR, Mexico City, the artist has dug a four-metre manhole to raise questions about the future of his hometown

BY Evan Moffitt |

The second oldest exhibition in the world, held at Pittsburgh’s Carnegie Museum of Art, makes the case for ‘museum joy’

BY Evan Moffitt |

Handing authorship of the biennial to a diverse group of artists is a democratic gesture but conveniently deflects and disperses blame

BY Evan Moffitt |

‘This retrospective portrays an inveterate outsider, a champion of the different and disempowered, as a fixture of a canon he reviled’

BY Evan Moffitt |

The artist discusses the objects, ideas and artworks that have shaped her practice

BY Evan Moffitt AND Valeska Soares |

Even as right-wing politics increasingly tries to enforce them, remembering that nature and art know no borders

BY Evan Moffitt |

At the crux of this ambitious show lies the question: who is this triennial really for?

BY Evan Moffitt |