Ian Bourland is a critic and associate professor of art history at Georgetown University, USA. He writes widely on art, pop culture and aesthetics, and has published two books, Bloodflowers (Duke University Press, 2019) and Blue Lines (Bloomsbury, 2019).
The LA gallery partners with TRII to present an online show on the ‘counterhistories’ of Black experience, but should we ask more of galleries in their antiracist efforts?
At von ammon co., Washington, D.C., the artist presents a series of new-media works that further his ‘New Peace’ polemics against the West’s exploitation of the natural world
The artist’s moving portraits of ‘unallocated’ auto workers in Lordstown, Ohio, on view at the Renaissance Society, celebrate the power of unions as job losses hit US manufacturing
The new film is neither as sombre and meditative as the work of contemporaries such as Robert Redford, nor as adaptive as the real-world activism of Jane Fonda