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Contributor
Ian Bourland

Ian Bourland is a critic and associate professor of art history at Georgetown University, USA. He writes widely on art, pop culture and aesthetics, and has published two books, Bloodflowers (Duke University Press, 2019) and Blue Lines (Bloomsbury, 2019).

Director Yorgos Lanthimos does away with the prudish niceties of the Merchant Ivory format with satisfying energy

BY Ian Bourland |

A recent spate of TV shows set in Missouri show the state as a cultural imaginary on the fault line of US political debate

BY Ian Bourland |

Exotic flora and tentative ‘Afronauts’ speak to a sense of alienation, but throughout the artist’s work runs a current of optimism 

BY Ian Bourland |

I cut my skin to liberate the splinter evokes the dissonance and precarity of post-apartheid South Africa

BY Ian Bourland |

A collaborative exhibition at the Baltimore Museum of Art and Art + Practice, Los Angeles, explores the lesser-known ephemeral works of the sculptor

BY Ian Bourland |

Landing only months before the US midterm elections, it’s impossible not to understand the show foremost in the context of the Trumps and Kushners of the world

BY Ian Bourland |

US true crime series Unsolved takes two formative pop cultural events to explore their concealed human stories and systemic narratives

BY Ian Bourland |

From The X-Files to The Orville to Black Mirror: what role does sci-fi play in our age of fake news?

BY Ian Bourland |

‘A countercultural beacon’: Ian Bourland reflects on the artist’s remarkable, six-decade career

BY Ian Bourland |

Various venues, New York, USA

BY Ian Bourland |

A year marked by new visualizations, both controversial and celebrated, of the black body

BY Ian Bourland |

The removal of the Confederate monuments in Baltimore shows decisiveness after years of inaction – already they stand as sites of counter-memory

BY Ian Bourland |

On the anniversary of the 2016 Orlando massacre, Brendan Fernandes reclaims the dancefloor as a site of resistance

BY Ian Bourland |

Casey Kaplan, New York, USA

BY Ian Bourland |

Goodman Gallery, Johannesburg, South Africa

BY Ian Bourland |

Sikkema Jenkins & Co., New York, USA

BY Ian Bourland |

A history of underground Black publishing, from W.E.B. Du Bois to #BlackLivesMatter

BY Ian Bourland |

Stevenson Gallery, Cape Town & Johannesburg, and blank projects, Cape Town, South Africa

BY Ian Bourland |

Pace Gallery, New York, USA

BY Ian Bourland |

A fresh look at the music and art of the black radical tradition

BY Ian Bourland |