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Contributor
Louisa Elderton

Louisa Elderton is a writer and editor based in Berlin. She was the Curatorial Editor at Gropius Bau, and is currently Managing Editor of ICI Berlin Press.

From Helen Chadwick’s feminist photography at Société to Rachel Harrison’s outright absurdism at Konrad Fischer Galerie

BY Louisa Elderton |

At Esther Schipper, Berlin, the artist’s self-portraits display a tension between concealment and revelation

BY Louisa Elderton |

At Anca Poterasu Gallery, Bucharest, an exhibition dedicated to a little-known Romanian artist uses re-creation to comprehend those whose life stories are lost to history

BY Louisa Elderton |

New section Modern Women at Frieze Masters and much anticipated shows at the Barbican and Tate Britain in London offer unconventional histories of art by women

BY Louisa Elderton |

In the German capital, recent shake-ups in the museum sector offer reason for excitement and concern

BY Louisa Elderton |

At Barbara Wien, Berlin, the artist reevaluates his love of Leonard Cohen in light of the musician’s stance on Palestine

BY Louisa Elderton |

From Rhea Dillon’s Toni Morrison-inspired solo show to a group exhibition of contemporary painting, Louisa Elderton picks her highlights from the German capital

BY Louisa Elderton |

The British sculptor who raised the humble to the monumental is honoured by former students and colleagues

The Austrian art festival creatively rethinks ways of exhibition-making during a pandemic with a collection of commissioned TV shows

BY Louisa Elderton |

With the 25th anniversary of the Rwandan Genocide against the Tutsi, an exhibition at Leipzig’s GfZK sheds light on the aftermath of the tragedy

BY Louisa Elderton |

The Belgrade-born sculptor developed a language that acknowledged a world in flux

BY Louisa Elderton |

A tactile show in Berlin of the California-based painter refreshes colour-field abstraction for our digital age of infinite screen time

BY Louisa Elderton |

The London-based sculptor’s new show at Kunstverein München delves into the queasy malleability of bodies

BY Louisa Elderton |

‘Compass: MCA Collection’ at Sydney’s Museum of Contemporary Art focused on both what it means to be a black person and a woman in Australia

BY Louisa Elderton |

A report from the 7th instalment of Denmark’s Socle du Monde Biennale: ‘to challenge the Earth, the Moon, the Sun & the Stars’

BY Louisa Elderton |

Galerie Neu, Berlin, Germany

BY Louisa Elderton |

Real Fine Arts, Brooklyn, USA

BY Louisa Elderton |

Sexauer, Berlin, Germany

BY Louisa Elderton |

Carriageworks, Sydney, Australia

BY Louisa Elderton |

Supportico Lopez, Berlin, Germany

BY Louisa Elderton |