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Contributor
Louisa Elderton

 Louisa Elderton is a Berlin-based writer and editor. She is currently the Managing Editor of ICI Berlin Press, and was formerly the Curatorial Editor at Gropius Bau and Editor-in-Chief of Side Magazine at Bergen Assembly.  

At Galerie Thomas Schulte, Berlin, the artists small-scale canvases depict refreshingly palpable scenes of queer desire

 

BY Louisa Elderton |

In her latest solo exhibition at Plan B, Berlin, the artist’s work pushes the boundaries between actuality and abstraction

BY Louisa Elderton |

At Belvedere, Vienna, works by the German dadaist are placed in dialogue with avant-garde film of the era

BY Louisa Elderton |

At carlier | gebauer, Berlin, the artist’s solo exhibition requires viewer’s attentive engagement

BY Louisa Elderton |

From Helen Chadwick’s feminist photography at Société to Rachel Harrison’s outright absurdism at Konrad Fischer Galerie

BY Louisa Elderton |

At Esther Schipper, Berlin, the artist’s self-portraits display a tension between concealment and revelation

BY Louisa Elderton |

At Anca Poterasu Gallery, Bucharest, an exhibition dedicated to a little-known Romanian artist uses re-creation to comprehend those whose life stories are lost to history

BY Louisa Elderton |

New section Modern Women at Frieze Masters and much anticipated shows at the Barbican and Tate Britain in London offer unconventional histories of art by women

BY Louisa Elderton |

In the German capital, recent shake-ups in the museum sector offer reason for excitement and concern

BY Louisa Elderton |

At Barbara Wien, Berlin, the artist reevaluates his love of Leonard Cohen in light of the musician’s stance on Palestine

BY Louisa Elderton |

From Rhea Dillon’s Toni Morrison-inspired solo show to a group exhibition of contemporary painting, Louisa Elderton picks her highlights from the German capital

BY Louisa Elderton |

The British sculptor who raised the humble to the monumental is honoured by former students and colleagues

The Austrian art festival creatively rethinks ways of exhibition-making during a pandemic with a collection of commissioned TV shows

BY Louisa Elderton |

With the 25th anniversary of the Rwandan Genocide against the Tutsi, an exhibition at Leipzig’s GfZK sheds light on the aftermath of the tragedy

BY Louisa Elderton |

The Belgrade-born sculptor developed a language that acknowledged a world in flux

BY Louisa Elderton |

A tactile show in Berlin of the California-based painter refreshes colour-field abstraction for our digital age of infinite screen time

BY Louisa Elderton |

The London-based sculptor’s new show at Kunstverein München delves into the queasy malleability of bodies

BY Louisa Elderton |

‘Compass: MCA Collection’ at Sydney’s Museum of Contemporary Art focused on both what it means to be a black person and a woman in Australia

BY Louisa Elderton |

A report from the 7th instalment of Denmark’s Socle du Monde Biennale: ‘to challenge the Earth, the Moon, the Sun & the Stars’

BY Louisa Elderton |

Galerie Neu, Berlin, Germany

BY Louisa Elderton |