At Marisa Newman Projects, the artist presents an installation exploring his first experiences of identifying the self through colour

From non-art to art and back again: on the eve of a major Jim Shaw and Mike Kelley show, an interview with the director of the MSU Broad

Transcending the sentimental falsehood that makes nostalgia problematic, on David Simon’s 1970s New York drama

Simon Preston Gallery, New York, USA

What Luc Besson’s Valerian and a number of recent artists’ 3D films are getting right about our current reality

In Twin Peaks: The Return, David Lynch’s bone-dry humour rises to the surface, and his lush visuals float free above narrative strictures

Museum of Modern Art, New York, USA

The legacy of Guy Debord and the connections between terrorist strategies, the networked 21st century and historical avant-gardes

Walid Raad

New Museum of Contemporary Art, New York, USA

David Hockney's Secret Knowledge

Saul Anton Can't Put Houellebecq Down

McSweeny's - reading the smallprint