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 Charles White, Sound of Silence, 1978, colour lithograph on paper, 64 × 90 cm. Courtesy: © The Charles White Archives Inc and the Art Institute of Chicago

A short story by novelist Wayétu Moore in response to Charles White

Caragh Thuring, Deep Screw, 2018, oil, line marker, bitumen and graphite powder on  woven cotton and linen, 1.7 × 1.4 m. Courtesy: the artist, Thomas Dane Gallery, London, and Anthony Meier Fine  Arts, San Francisco

Recent paintings by Caragh Thuring, Phoebe Unwin and Clare Woods mine the tension between physical and imagined worlds

Wild Relatives, 2018, video stills. Director of photography:  Marte Vold. Courtesy: the artist

From the musical traditions of Palestine to the global circulation of seeds, the artist unpicks the power structures that support even t

A visual essay born out of a trip the Polish artist made three years ago to the South Caucasus

The Beijing-based artist’s films draw on the emotional strategies of pop culture to explore identity and belonging in a hyper-mediatized world

Watching Sharon Hayes and Evan Ifekoya pay homage to the late artist at Camden Arts Centre and remembering his ‘structured anarchy’

The frieze columnist's first novel is an homage to, and embodiment of, the late, great Kathy Acker

What is the future of our photos in an age when images – and the machine-readable data they contain – no longer belong to us? 

Meticulous, gently humorous paintings isolate a deeply personal encounter with the obdurate structures of society and culture

Thoughts on an unpredictable series of local disasters

The artist-investigator tunes his work to the undocumented, the surveilled, immigrants and prisoners; those fleeing the talons of the state

In the face of 'hyena politics', five artists from the Zimbabwean capital who explore the human form as a symbol of resistance 

Video

Frieze Fairs - 16 Oct 2018

Hong Kong-based artist Wong Ping and Camden Arts Centre's Martin Clark talk about the inaugural Emerging Artist Prize at Frieze

Sponsored Content - 11 Oct 2018

With his first German solo show at Blain|Southern Berlin open until 17 November, the New York-based artist discusses using drawings to make sense of his intense childhood in Iran and sound being a guiding force 

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