Features

As the artist’s largest survey to date opens at Zeitz MoCAA and Norval Foundation, Cape Town, Sean O’Toole examines his dadaist lexicon 

By Sean O’Toole

‘People younger than myself will be under the false impression that performance has always been taken seriously’

By Pablo Bronstein

Karen Archey on Ligia Lewis and Alex Baczynski-Jenkins

By Karen Archey

Performed images in contemporary art and everyday life

By Isobel Harbison

Fabian Schöneich on the artist’s new performance at Kunsthalle Basel

By Fabian Schöneich

Mimi Chu on Robertas Narkus, Nástio Mosquito, Nora Turato and more

By Mimi Chu

From blues to jazz to the baroque – new fiction from Claire-Louise Bennett

By Claire-Louise Bennett

Johnston showed how writing was performance and politics at once

By Jennifer Kabat

In Harding’s paintings and sculpture, the past and the present merge in a potent reflection on contemporary Australia

By ​Hendrik Folkerts

Drawing on his dancer’s training, Laris Cohen radically presents his body simply ‘as is’ in his performances

By Martha Joseph

Barbara Casavecchia on the 2019 Golden Lion-winning artist

By Barbara Casavecchia

Contemporary art’s resurgence of interest in magic has a powerful art-historical precedent

By Caroline Marciniak

Video

Sponsored Content - 09 Dec 2019

Confronting tensions in the Taiwanese artist’s first performance in New York, at Performa 19

Sponsored Content - 20 Nov 2019

25-year old designer Reece Yeboah on the ‘crazy journey’ of his label, Saint London

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