Does much of the contemporary art shown in the Ghanaian capital of Accra amount to ‘willful exoticism’? 

What I’ve learned from Trump’s election

Ahead of tomorrow's vote, writer and academic Stephanie DeGooyer argues why this is an election about gender

Donald Trump wearing a hard hat during his rally at the Charleston Civic Center on May 5, 2016 in Charleston, West Virginia. Photograph: Mark Lyons/Getty Images

Part seven of our US election series: Ben Davis on why the topic of class has returned to the national conversation

With the death of Gawker and the rise of Trump, free speech is under threat

Part six of our US election series: Kameelah Janan Rasheed argues why there has never been a more opportune time to confront racial oppression

Analysis and reaction to the surprise closing of Inverleith House after 30 years

Twenty years of sharing

For part five of our special series, some thoughts on the special relationship between the UK and US

A report from the opening of Paul B. Preciado’s Public Programs for documenta 14, Athens

How postinternet aesthetics are thriving behind the Great Firewall

Watching the battle for Mosul live on Facebook


Documentary - 16 Feb 2017

Why did artist Eric Wesley take over a disused Taco Bell in Middle America?

10 Feb 2017

On the occasion of his solo exhibition at Stephen Friedman Gallery, London (8 Feb – 10 March) Brazilian painter Luiz Zerbini gives an insight into how he makes his vividly figurative and abstract canvases