Reviews

Majoli’s historical subjects couldn’t have known that the community for which they became sex symbols would soon be marked with a valedictory contingency – annihilation

By Shiv Kotecha

Boskovich wanted to inhabit a place that made no distinctions between sculpture and furniture, curation and decor, art and everyday life

By ​Juliana Halpert

To mark the centenary of the Bauhaus’s opening in Weimar, Performa 19 considers: ‘What is the art school of the 21st century?’

By Erica N. Cardwell

The sculptor’s solo exhibition at Oakville Galleries blurs the boundaries between chance and artistic selection

By Charles Reeve

The artist’s latest commission pulls back the curtain on state power

By Chris Sharratt

The painter’s work, on view at Tina Kim Gallery in New York, focuses our sight while urging us beyond it

By David Geers

Fin de siècle squalor and sardonic masques in ‘Grand Hotel Abyss’, the 2019 edition of the annual Austrian festival

By Adam Kleinman

Dragons, spirits and transformations at Julia Stoschek, Berlin

By Skye Arundhati Thomas

Patrick D. Flores’s southeast Asia-focused exhibition is hopeful, in spite of its sometimes academic tenor

By Max Crosbie-Jones

In an exhibition at Focal Point Gallery, the artist looks to the local marshes of Canvey Island with a weird degree of hope  

By Tom Morton

The most remarkable thing about ‘The Mysterious Correspondent’ is the way it deals directly with gay and lesbian characters

By Aaron Peck

An exhibition at SFMOMA, named for the 1990 geopolitical term, considers the relationship between art and activism since the fall of the Iron Curtain 

By Adam Kleinman

Video

Sponsored Content - 09 Dec 2019

Confronting tensions in the Taiwanese artist’s first performance in New York, at Performa 19

Sponsored Content - 20 Nov 2019

25-year old designer Reece Yeboah on the ‘crazy journey’ of his label, Saint London

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