On the art of being truly site-specific
Where does a sculpture start and where does it end? Since Rodin the answer has been unclear. Today, artists are finding very different solutions to the persistent problem of the pedestal
In search of the past, Martin Gostner found a fleeting form of sculpture and invented a new time machine: the bay window
On the power of metaphors to bring about change
Using music, performance and animation, Egill Sæbjörnsson creates hybrid stages, where analogue and digital worlds collide
Business and private matters do get mixed up, unavoidably, structurally. But there is a need for limits. Laws mark these limits and guarantee a minimum of transparency.
Leonor Antunes uses iconic buildings as points of departure for precise sculptural installations which confound architectural models with measuring systems
Is there any way to escape national stereotypes?
Daniel Spoerri used found objects to explore a citys history in Le Musée sentimental.
On the controversial role of digitization in New Music
City Sounds and Spontaneous Occupations
Many architects are turning towards found materials. Are the buildings of the future already waiting in the rubbish?