frieze magazine

Issue 192

January - February 2018

The January-February issue of frieze sees Hilary Lloyd creates a commissioned artwork, the first in our new ‘Visual Essays’ series; Amalia Pica interviews Beatriz González; plus monographs on Elaine Lustig Cohen and Angelica Mesiti.  Also featuring Dan Fox on the current nostalgia for New York's ‘bad old days’ of the 1970s and ’80s; Evan Moffitt explores how artists Bethany Collins, Steffani Jemison, Adam Pendleton and Kameelah Janan Rasheed are using black radical poetry to unpack subjectivity and race, and artist Haegue Yang, winner of the 2018 Wolfgang Hahn Prize, talks about the objects and ideas that have shaped her thinking. Plus: 48 exhibition reviews from around the world, and Glenn Brown answers our Questionnaire.

Why the 40-year-old Mute record label remains an enigma

By Simon Reynolds

Should acting awards be gender neutral? 

By Michelle Orange

Almine Rech Gallery, Paris

By Gabriella Pounds

Castello di Rivoli Museo d'Arte Contemporanea, Turin, Italy

By Hettie Judah

Artist Christian Nyampeta reveals the books that have influenced him

By Christian Nyampeta

As Susanne Kennedy's Women in Trouble premieres at Berlin's Volksbühne, the theatre director discusses her life and influences 

By Susanne Kennedy

The long-overdue publication of Susan Sontag's collected short fiction 

By Jerome Boyd-Maunsell
Hendrik Goltzius, Pietà, 1596. Courtesy: National Gallery of Art, Washington, D.C.

Q: What should change? A: 'At the Moment, Britain's slow car crash into Brexit.'

By Glenn Brown

Are recent innovations in sustainable fashion enough to save the planet? 

By Hettie Judah

Growing old and growing value 

By Lynne Tillman

Arthur Jafa’s intertwining of video collage and music has the power to open up minds and bodies

By Jörg Heiser

The 15th anniversary of Joshua Tree's annual art event: High Desert Test Sites