The January-February issue of frieze sees Hilary Lloyd creates a commissioned artwork, the first in our new ‘Visual Essays’ series; Amalia Pica interviews Beatriz González; plus monographs on Elaine Lustig Cohen and Angelica Mesiti. Also featuring Dan Fox on the current nostalgia for New York's ‘bad old days’ of the 1970s and ’80s; Evan Moffitt explores how artists Bethany Collins, Steffani Jemison, Adam Pendleton and Kameelah Janan Rasheed are using black radical poetry to unpack subjectivity and race, and artist Haegue Yang, winner of the 2018 Wolfgang Hahn Prize, talks about the objects and ideas that have shaped her thinking. Plus: 48 exhibition reviews from around the world, and Glenn Brown answers our Questionnaire.
