At Artists Space, the exhibition was ‘slick and hooky, and sometimes of questionable substance’

Claire Bishop versus the Internet

A specially commissioned drawing for frieze

Trying to leave the art world

Boredom and death: two sides of the same coin?

The post-colonial essay

Painting as performance in recent exhibitions

Digital art in Cuba

'Presentism’ versus ‘future shock’

The uniquely queer history of Matmos is a sprawling carnival with perverse interludes, bizarre objects and guest appearances

Sylvia Sleigh’s extraordinary ‘history pictures’

Artist, performer and choreographer Alexandra Bachzetsis on the things that have inspired her own work

Francesco del Cossa’s frescoes in the Hall of the Months

What makes a successful artist-run institution?

The Los Angeles-based artist discusses his photographic process in which tableau and accident meet

Online subcultures, elusive narratives and structural film

Jonathan Griffin on Anthony Pearson

Jean-François Chevrier talks to Mark Sadler about his new book on artistic hallucination

The historic layers of Beirut’s neighbourhoods; the fine line between collaboration and individual practice

Alternative studies of continental branding, subjectivity and our data-driven societies

Six decades of avoiding being categorized

Q. What music are you listening to? A. The very best of Italian pop songs. I'm back from six months in Italy – ciao Italia!