Relating bodily sensations to virtual spaces in the photographs of Lucas Blalock

Jennifer Higgie on the bewildered mystics, mournful minstrels and mysterious rituals of Ryan Mosley’s paintings

Working for the man, or machine

Gideon Lewis-Kraus traces the transcontinental journeys of Brazilian artist Paolo Nazareth

On collective memory and personal experience

The Glasgow School of Art — past and future

Mining the traditions of the political cartoon

Why are there so few biographies of African artists?

W.A.G.E.’s fight for artist fees

PJ Harvey records a new album in public

Meriç Algün Ringborg discusses the books that have influenced her

Re-reading Shulamith Firestone’s The Dialectic of Sex

The shifting influence of Milan’s Salone del Mobile

Ida Ekblad talks to Zoe Pilger about painting, drifting, emptiness and energy

Containers, collaboration and perception

How a generation of artists is re-ordering the building blocks of photography

The memory and lifespan of objects

Simon Ling and plein-air painting in east London

The Big Pineapple

Q: What images keep you company in the space where you work?

A: None. I just try to concentrate on what I am doing.

New Museum, New York, USA

A recent retrospective showcased the artist’s unswerving ability to beat expectations

Glasgow Sculpture Studios, UK