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‘When I think about Kutcher and Moore, what comes to my mind is a vision of pure, halcyon happiness’

BY Naomi Fry |

‘This ethereal portrait also miniaturizes Mofokeng’s quest for affinity and understanding in a world dogged by shadow’

BY Sean O'Toole |

‘Since Lucano was elected mayor in 2004, the town of Riace, located in one of the most impoverished regions of Italy, has welcomed thousands of refugees’

BY Alfredo Jaar |

‘It’s a sinewy and organic thing, almost threatening, in an otherwise boring district of embassies and hotels’

BY Sam Thorne |

‘Over the radio, he asked listeners a simple question: what is your favourite sound of Beijing?’

BY Colin Siyuan Chinnery |

‘I have secretly kept two copies of this series for years’

BY Céline Condorelli |

‘It was exactly the right thing at exactly the right time’

BY Jonathan Griffin |

‘The sheer farce of it. Wonderful. That was what made so much sense and felt so good’

BY Max Porter |

‘His work opened a pathway to design for me that no architectural school or practice could’

BY Mae-Ling Jovenes Lokko |

‘His works are imbued with such rare emotional acuity and nuance that it is hard not to be first stunned and, then, deeply moved’

BY Shanay Jhaveri |

‘I found it at my local used bookstore more than a month before its release date, only days after 9/11’

BY Aaron Peck |

‘The show singlehandedly thrust Africa back into the culture of global contemporary art.’

BY Kobena Mercer |

‘I know no more perfect portrait of artist and muse’

BY Negar Azimi |

‘No other installation has come close to the swooning sensation of seeing Bourgeois’s work for the first time’

BY Shahidha Bari |

‘After Kurzweil’s book landed with a thud in the centre of our culture, it was impossible not to address its claims’

BY Chris Wiley |

‘If criticality indicates a desire for change, then surely the critic is actually an optimist’

BY Jörg Heiser |