56th Venice Biennale

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Opinion , Roundtables
The Year in Review: Frieze Editors on Art in 2022

From the rise of sculpture to the return of landmark art events, three frieze editors discuss the year in art



 

BY Marko Gluhaich, Vanessa Peterson AND Terence Trouillot |
Features
One Take: Whole Earth

Herman de Vries’s Dutch pavilion in Venice

BY Jörg Heiser |
Reviews
Fondazione Prada, Milan & Venice

56th Venice Biennale, various venues, Italy

BY Barbara Casavecchia |
Reviews
Asia in Venice

56th Venice Biennale, various venues, Italy

BY Matthew McLean |
Reviews
Pavilions of Turkey & the Republic of Armenia

56th Venice Biennale, various venues, Italy

BY Sam Thorne |
Reviews
Spanish & Latin American Pavilions

56th Venice Biennale, various venues, Italy

BY Max Andrews |
Reviews
Giardini Pavilions

56th Venice Biennale, various venues, Italy

BY Jennifer Higgie |
Reviews
All the World's Futures

56th Venice Biennale, various venues, Italy

BY Sean O'Toole |
Interviews
A Natural Elegance

Novelist Sarah Hall talks to Sarah Lucas about sculpture, sexual politics and representing Britain at the Venice Biennale

Features
Ebb & Flow

On the ruptures and restlessness of much contemporary art, and how this is reflected in the 56th Venice Biennale

BY Kaelen Wilson-Goldie |
Features
Data Mine

Travis Jeppesen considers disruption and ambivalence in the work of Simon Denny, in the run-up to the artist’s major project for the Venice Biennale

BY Travis Jeppesen |
Features
Exorcisms of the Self

Connections across time and place in the work of Danh Vo

BY Jörg Heiser |
Features
Skin & Surface

What is Dansaekhwa and what is its legacy today?

BY Yoon Jin Sup, Joan Kee, Sam Bardaouil and Till Fellrath |