Advertisement

Ben Eastham

A series of ‘magical transformations’: Tacita Dean’s new work launches across three institutions in London

By Ben Eastham

Virginie Despentes's trilogy, 'Vernon Subutex', and the revival of state-of-the-nation novels 

By Ben Eastham
John Gerrard, Western Flag (Spindletop, Texas), 2017, installation view, Somerset House, London. Courtesy: Thomas Dane, London; photograph: Damian Griffiths

A digital portrait of the landscape that transformed our planet

By Ben Eastham

How should the artistic community respond when an art space, explicitly or implicitly, associates itself with right-wing sentiment?

A look back at the year that gave us Mark Greif’s Against Everything and David Bowie's final act

By Ben Eastham

the Bluecoat, Liverpool, UK

By Ben Eastham

Marguerite Humeau's exhibition 'FOXP2', now open at Nottingham Contemporary, proposes imaginative responses to unanswerable questions

By Ben Eastham

Marguerite Humeau, Mono-ha and multiple worlds: a guide to the best current shows in the capital

By Ben Eastham
Goshka Macuga, International Institute of Intellectual Co-operation, Configuration 6, Humanity’s Survival (detail), 2015, bronze. Courtesy: Fondazione Prada, Milan; photograph: Delfino Sisto Legnani Studio

Ben Eastham delves into Goshka Macuga's exploration of art, power and history

By Ben Eastham

Eimear McBride’s celebrated debut novel is taken to the stage

By Ben Eastham
‘Der Kurator, der Anwalt und der Psychoanalytiker’ (The Curator, The Lawyer and the Psychoanalyst), 2015, installation view

Kunsthalle Wien, Vienna, Austria

By Ben Eastham