Ela Bittencourt investigates the ways in which film directors in the 1960s and ’70s used surrealism as a way of interrogating unstable political moments and reimagining the future
At SESC Sorocaba, Brazil, the third edition of the Frestas Triennial of Arts respond to the debates around decolonialization that have dominated the discourse in Latin America for the past two decades
The new co-artistic director of the Museum of Modern Art in Rio de Janeiro discusses her Afro-centred curatorial practice, the importance of translation, and writing as a form of dance
One year into the authoritarian president’s term, Brazilian artists are pushing back against state violence and censorship by summoning the spirit of the ‘sertão’