Bruce Nauman

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The artist has turned Punta della Dogana in Venice into a world of autonomous AI installations and isolated marine creatures

BY Sean Burns |

From Bruce Nauman in Hong Kong to Carla Accardi in Milan, here are a selection of hand-picked shows by our editors 

BY frieze |

From Heman Chong’s wry humour in Singapore to Lee Bul’s ‘soft sculpture’ performances in Seoul, these are the must-see shows in the region 

BY frieze |

In London, shows by Bruce Nauman, Klara Lidén and Helen Cammock reflect on the pleasures and politics of idleness

BY Philomena Epps |

A retrospective survey at MoMA and MoMA PS1, New York, considers how Nauman stretches language, to demonstrate how it, in turn, moulds us

BY Che Gossett |

The Berlin-based artist Veit Laurent Kurz shares his favourite shows of the year

BY Veit Laurent Kurz |

The artist discusses the objects, ideas and artworks that have shaped her practice

BY Evan Moffitt AND Valeska Soares |

Talks, sound works, processions and the twentieth century masterpieces - start the weekend at Frieze

The co-founder of print workshop Gemini G.E.L. talks about the evolution of the iconic institution

BY Evan Moffitt |

With her Whitechapel show opening today in London, Mary Heilmann talks about studying in California, ‘home arts’ and surfing

BY Amy Sherlock |

Musée d’art moderne de la ville de Paris, France

BY Lauren Elkin |

In an age of perpetual distraction, how might institutions slow down and refocus the way we look at art?

BY Anthony Huberman |

From Samuel Beckett’s plays to Nick Cave’s music, the artists and filmmakers discuss the evolution of their artistic imaginations

The former director of Nottingham Contemporary shares his notes on the nature and evolution of the artist's studio

BY Sam Thorne |

Is today’s art too self-referential?

BY Dieter Roelstraete |

Bruce Nauman spoke with Noemi Smolik about his first projects with European gallerists, curators and artists and about how to turn a neon sign into a black square

BY Noemi Smolik |

Fascinated by accounts of seemingly mysterious perceptual experiences, the artist relates her findings and how they impacted her work

BY Jennifer Bornstein |

The Golden Lion (and alternative awards) at the 53th Venice Biennale

BY Christy Lange |

First impressions of the 53rd Venice Biennale

BY Sam Thorne |

Anarchic urbanism; pigeons, song and dance

BY Sam Thorne |