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Chloe Stead

A conference at the Salzburg Summer Academy demonstrated the contentious issues at stake when dealing with the legacy of colonialism – and possible

By Chloe Stead

At Kunstverein in Hamburg, the artist presents a vision of futuristic societies, mixing hard facts and pure fiction to disorienting effect

By Chloe Stead

Exploring self-exoticization and the migrant experience, the artist reprises her father's kebab shop as a cyclical performance at Kim?, Riga 

By Chloe Stead
Fahrelnissa Zeid, My Hell, 1951, (detail), oil paint on canvas, 2.1 x 5.3 m. Courtesy: Istanbul Museum of Modern Art, Shirin Devrim Trainer and Raad Zeid Al-Hussain, © Istanbul Museum of Modern Art/ Raad Zeid Al-Hussein; photograph: Reha Arcan

Deutsche Bank KunstHalle, Berlin, Germany

By Chloe Stead

At Stavanger’s Screen City Biennial, artists responded to the theme ‘Migrating Stories’ from personal, biographical perspectives

By Chloe Stead
Camilla Steinum, Determined Nap, 2017, wool and metal, 127 x 183 x 200 cm. Courtesy: Soy Capitán, Berlin

Soy Capitán, Berlin

By Chloe Stead

Kunsthaus Hamburg, Germany

By Chloe Stead

Galerie Conradi, Hamburg, Germany

By Chloe Stead

Etel Adnan, Andrzej Steinbach, Haegue Yang, and more: a guide to the best shows in the city

By Chloe Stead

Kunstverein Braunschweig, Germany

By Chloe Stead
Pods designed by Greek textile designer Antigone Lentos and Belgian designer Thomas Lommée, situated in the Athens Conservatoire for IdeasCity Athens. Courtesy: ΝΕΟΝ + New Museum, New York; photograph: © Panos Kokkinias

A report from the residency and conference asking how art and artists should engage in places of political or economic instability

By Chloe Stead

Enacting a group-designed digital identity

By Chloe Stead