Chloe Stead

The incoming director of SAVVY Contemporary shares his plans for the Berlin-based not-for-profit

From Cyprien Galliard’s triumphant homecoming in Paris to Bruno Zhu’s Barcelona debut, these are the best exhibitions of the year

For the opening week of Various Others, here are five unmissable exhibitions to see this autumn

From Atis Rezistans's take over of St. Kunigundis Catholic Church to a mesmerizing installation by Nhà Sàn Collective at the Stadtmuseum

At Crèvecoeur, Paris, the artist's new video work continues her interest in the results of rejection and subjugation on marginalized French youth

Chloe Stead talks with the artists about their personal approaches to mining the past

From Heidi Bucher's latex skinnings at Mendes Wood DM to Elen Braga's horse-themed tapestries, here are five shows not to miss in the Belgium capital during Art Brussels

In the second of our two-part round-up, Chloe Stead reviews the best pavilions across the Giardini

Chloe Stead talks to the curator about her appointment as director of Mudam Luxembourg, after nearly a decade heading the Kunstverein in Hamburg

To mark Kruger’s retrospective at the Los Angeles County Museum of Art, artist Math Bass reflects on their former professor

At Halle für Kunst Steiermark, a thematic group exhibition underscores how the COVID-19 pandemic has affected our relationship to the home

From neo-surrealist painting to coarse conceptualism, three frieze editors discuss the year in art

Curated by Larry Ossei-Mensah and Omsk Social Club, the 7th edition of the Biennale highlights the African diaspora and imagines new worlds

Our critics drum up an international list of their favourite promising artists

In his current exhibition at the Kunstverein Nürnberg, the artist continues his career-long negotiation of the gulf between what we say and how we are heard

Tieu's film Moving Target Shadow Detection (2021), commissioned for this year’s Frieze Artist Award, investigates a mysterious condition

With a solo exhibition at MO.CO. Montpellier Contemporain, the artist speaks to Chloe Stead about the female gaze and why as an 'old lady' you can do just about anything

The Greek curator talks to Chloe Stead about taking over the reins at Athens’s embattled flagship institution for contemporary art

At Sweetwater, Berlin, the artist plays on passé 1980's glamour, sculpturally employing transparent and mirrored surfaces to attract and deflect the gaze

Julia Bonn and Inga Zimprich publish information on self-care that underwhelms by design in order to include as many people as possible