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Christopher Bedford

The Baltimore’s director on why correcting the art historical canon is not only right but urgent for museums to remain relevant

Artists Space to leave 38 Greene Street and Marisol passes away

Santa Monica Museum of Art

Honor Fraser, Los Angeles, USA

Charles Birchfield, The Four Seasons, 1949-60

Hammer Museum, Los Angeles, USA

The successful deployment of melancholy as a marketing tool to sell war-based video games

A recent performance about masculinity and sport revealed cultural exclusion within the art world

Museum of Contemporary Art, Los Angeles, USA

ACME, Los Angeles, USA

Jacob Feige, Early Clearing, 2008

Lombard-Fried Projects, New York, USA

Los Angeles Contemporary Exhibitions, USA

Videos, hoods, a ‘period eye’; surrealism and surveillance