Germany's dispute over legislating artworks of national significance
The conflicted cultural legacy of the London 2012 Olympics
The last two decades have seen a proliferation of curatorial studies programmes. How has this affected methodology and display, and what is the future of these courses?
Why a growing number of artists are turning away from image-making to writing and performance
A round table discussion led by Jörg Heiser on ‘super-hybridity’: what is it and should we be worried? With Ronald Jones, Nina Power, Seth Price, Sukhdev Sandhu and Hito Steyerl
A conversation between Agnieszka Kurant & Nassim Nicholas Taleb about the benefits of uncertainty
An email debate
The Israeli Defence Forces have been heavily influenced by contemporary philosophy, highlighting the fact that there is considerable overlap among theoretical texts deemed essential by military aca
Stuart Morgan once wrote ‘artists are not in competition with each other but with themselves and the past.’ That said, can art prizes be useful? And if so, how?
Art criticism is no longer dominated by history and theory. Does this create space for curiosity and openness, or leave writers ill-equipped to describe the complexities of the present?
The proliferation of biennials has become integral to the explosion of contemporary art.
Tolerance is the basic prerequisite for a humane society. Have its goals become confused?